is useless to particularize it.
Various Remarks.—We can now discuss several important questions:
1º Is the creative power of the mind exhausted by the creation of the mathematical continuum?
No: the works of Du Bois-Reymond demonstrate it in a striking way.
We know that mathematicians distinguish between infinitesimals of different orders and that those of the second order are infinitesimal, not only in an absolute way, but also in relation to those of the first order. It is not difficult to imagine infinitesimals of fractional or even of irrational order, and thus we find again that scale of the mathematical continuum which has been dealt with in the preceding pages.
Further, there are infinitesimals which are infinitely small in relation to those of the first order, and, on the contrary, infinitely great in relation to those of order 1 + ε, and that however small ε may be. Here, then, are new terms intercalated in our series, and if I may be permitted to revert to the phraseology lately employed which is very convenient though not consecrated by usage, I shall say that thus has been created a sort of continuum of the third order.
It would be easy to go further, but that would be idle; one would only be imagining symbols without possible application, and no one will think of doing that. The continuum of the third order, to which the consideration of the different orders of infinitesimals leads, is itself not useful enough to have won citizenship, and geometers regard it only as a mere curiosity. The mind uses its creative faculty only when experience requires it.
2º Once in possession of the concept of the mathematical continuum, is one safe from contradictions analogous to those which gave birth to it?
No, and I will give an example.
One must be very wise not to regard it as evident that every curve has a tangent; and in fact if we picture this curve and a straight as two narrow bands we can always so dispose them that they have a part in common without crossing. If we imagine then the breadth of these two bands to diminish indefinitely, this common part will always subsist and, at the limit, so to speak, the two lines will have a point in common without crossing, that is to say, they will be tangent.
The geometer who reasons in this way, consciously or not, is only doing what we have done above to prove two lines which cut have a point in common, and his intuition might seem just as legitimate.
It would deceive him however. We can demonstrate that there are curves which have no tangent, if such a curve is defined as an analytic continuum of the second order.
Without doubt some artifice analogous to those we have discussed above would have sufficed to remove the contradiction; but, as this is met with only in very exceptional cases, it has received no further attention.
Instead of seeking to reconcile intuition with analysis, we have been content to sacrifice one of the two, and as analysis must remain impeccable, we have decided against intuition.
The Physical Continuum of Several Dimensions.—We have discussed above the physical continuum as derived from the immediate data of our senses, or, if you wish, from the rough results of Fechner's experiments; I have shown that these results are summed up in the contradictory formulas
A = B, B = C, A < C.
Let us now see how this notion has been generalized and how from it has come the concept of many-dimensional continua.
Consider any two aggregates of sensations. Either we can discriminate them one from another, or we can not, just as in Fechner's experiments a weight of 10 grams can be distinguished from a weight of 12 grams, but not from a weight of 11 grams. This is all that is required to construct the continuum of several dimensions.
Let us call one of these aggregates of sensations an element. That will be something analogous to the point of the mathematicians; it will not be altogether the same thing however. We can not say our element is without extension, since we can not distinguish it from neighboring elements and it is thus surrounded by a sort of haze. If the astronomical comparison may be allowed, our 'elements' would be like nebulae, whereas the mathematical points would be like stars.
That being granted, a system of elements will form a continuum if we can pass from any one of them to any other, by a series of consecutive elements such that each is indistinguishable from the preceding. This linear series is to the line of the mathematician what an isolated element was to the point.
Before going farther, I must explain what is meant by a cut. Consider a continuum C and remove from it certain of its elements which for an instant we shall regard as no longer belonging to this continuum. The aggregate of the elements so removed will be called a cut. It may happen that, thanks to this cut, C may be subdivided into several distinct continua, the aggregate of the remaining elements ceasing to form a unique continuum.
There will then be on C two elements, A and B, that must be regarded as belonging to two distinct continua, and this will be recognized because it will be impossible to find a linear series of consecutive elements of C, each of these elements indistinguishable from the preceding, the first being A and the last B, without one of the elements of this series being indistinguishable from one of the elements of the cut.
On the contrary, it may happen that the cut made is insufficient to subdivide the continuum C. To classify the physical continua, we will examine precisely what are the cuts which must be made to subdivide them.
If a physical continuum C can be subdivided by a cut reducing to a finite number of elements all distinguishable from one another (and consequently forming neither a continuum, nor several continua), we shall say C is a one-dimensional continuum.
If, on the contrary, C can be subdivided only by cuts which are themselves continua, we shall say C has several dimensions. If cuts which are continua of one dimension suffice, we shall say C has two dimensions; if cuts of two dimensions suffice, we shall say C has three dimensions, and so on.
Thus is defined the notion of the physical continuum of several dimensions, thanks to this very simple fact that two aggregates of sensations are distinguishable or indistinguishable.
The Mathematical Continuum of Several Dimensions.—Thence the notion of the mathematical continuum of n dimensions has sprung quite naturally by a process very like that we discussed at the beginning of this chapter. A point of such a continuum, you know, appears to us as defined by a system of n distinct magnitudes called its coordinates.
These magnitudes need not always be measurable; there is, for instance, a branch of geometry independent of the measurement of these magnitudes, in which it is only a question of knowing, for example, whether on a curve ABC, the point B is between the points A and C, and not of knowing whether the arc AB is equal to the arc BC or twice as great. This is what is called Analysis Situs.
This is a whole body of doctrine which has attracted the attention of the greatest geometers and where we see flow one from another a series of remarkable theorems. What distinguishes these theorems from those of ordinary geometry is that they are purely qualitative and that they would remain true if the figures were copied by a draughtsman so awkward as to grossly distort the proportions and replace straights by strokes more or less curved.
Through the wish to introduce measure next into the continuum just defined this continuum
