The next day, I complied with his request, and I will do the doctor justice to say that, on comparison, it proved as he had suspected; the pills were genuine, and although he had advertised that no druggist should sell them, they were so popular that druggists found it necessary to get them “by hook or by crook;” and the consequence was, I had the pleasure of a glorious laugh, and Doctor Brandreth experienced “a great scare.”
The doctor “made his pile” long ago, although he still devotes his personal attention to the “entirely vegetable and innocent pills, whose life-giving power no pen can describe.”
In 1849, the doctor was elected President of the Village of Sing Sing, N. Y. (where he still resides,) and was re-elected to the same office for seven consecutive years. In the same year, he was elected to the New York State Senate, and in 1859 was again elected.
Dr. Brandreth is a liberal man and a pleasant, entertaining, and edifying companion. He deserves all the success he has ever received. “Long may he wave!”
II. THE SPIRITUALISTS.
CHAPTER IX.
THE DAVENPORT BROTHERS, THEIR RISE AND PROGRESS.—SPIRITUAL ROPE-TYING.—MUSIC PLAYING.—CABINET SECRETS.—“THEY CHOOSE DARKNESS RATHER THAN LIGHT,” ETC.—THE SPIRITUAL HAND.—HOW THE THING IS DONE.—DR. W. F. VAN VLECK.
The Davenport Brothers are natives of Buffalo, N. Y., and in that city commenced their career as “mediums” about twelve years ago. They were then mere lads. For some time, their operations were confined to their own place, where, having obtained considerable notoriety through the press, they were visited by people from all parts of the country. But, in 1855, they were induced by John F. Coles, a very worthy spiritualist of New York City, to visit that metropolis, and there exhibit their powers. Under the management of Mr. Coles, they held “circles” afternoon and evening, for several days, in a small hall at 195 Bowery. The audience were seated next the walls, the principal space being required for the use of “the spirits.” The “manifestations” mostly consisted in the thrumming and seemingly rapid movement about the hall of several stringed instruments, the room having been made entirely dark, while the boys were supposed or asserted to be quietly seated at the table in the centre. Two guitars, with sometimes a banjo, were the instruments used, and the noise made by “the spirits” was about equal to the united honking of a large flock of wild geese. The manifestations were stunning as well as astonishing; for not only was the sense of hearing smitten by the dreadful sounds, but, sometimes, a member of the circle would get a “striking demonstration” over his head!
At the request of the “controlling spirit,” made through a horn, the hall was lighted at intervals during the entertainment, at which times the mediums could be seen seated at the table, looking very innocent and demure, as if they had never once thought of deceiving anybody. On one of these occasions, however, a policeman suddenly lighted the hall by means of a dark lantern, without having been specially called upon to do so; and the boys were clearly seen with instruments in their hands. They dropped them as soon as they could, and resumed their seats at the table. Satisfied that the thing was a humbug, the audience left in disgust; and the policeman was about to march the boys to the station-house on the charge of swindling, when he was prevailed upon to remain and farther test the matter. Left alone with them, and the three seated together at the table on which the instruments had been placed, he laid, at their request, a hand on each medium’s head; they then clasped both his arms with their hands. While they remained thus situated (as he supposed,) the room being dark, one of the instruments, with an infernal twanging of its strings, rose from the table and hit the policeman several times on the head; then a strange voice through the trumpet advised him not to interfere with the work of the spirits by persecuting the mediums! Considerably astonished, if not positively scared, he took his hat and left, fully persuaded that there was “something in it!”
The boys produced the manifestations by grasping the neck of the instrument, swinging it around, and thrusting it into different parts of the open space of the room, at the same time vibrating the strings with the fore-finger. The faster the finger passed over the strings, the more rapidly the instrument seemed to move. Two hands could thus use as many instruments.
When sitting with a person at the table, as they did with the policeman, one hand could be taken off the investigator’s arm without his knowing it, by gently increasing, at the same time, the pressure of the other hand. It was an easy matter then to raise and thrum the instrument or talk through the horn.
About a dozen gentlemen—several of whom were members of the press—had a private séance with the boys one afternoon, on which occasion “the spirits” ventured upon an extra “manifestation.” All took seats at one side of a long, high table—the position of the mediums being midway of the row. This time, a little, dim, ghostly gaslight was allowed in the room. What seemed to be a hand soon appeared, partly above the edge of the vacant side of the table, and opposite the “mediums.” One excited spiritualist present said he could see the finger-nails.
John F. Coles—who had for several days, suspected the innocence of the boys—sprang from his seat, turned up the gaslight, and pounced on the elder boy, who was found to have a nicely stuffed glove drawn partly on to the toe of his boot. That, then, was the spirit-hand! The nails that the imaginative spiritualist thought he saw were not on the fingers. The boy alleged that the spirits made him attempt the deception.
The father of these boys, who had accompanied them to New York, took them home immediately after that exposure. In Buffalo, they continued to hold “circles,” hoping to retrieve their lost reputation as good mediums—by being, not more honest, but more cautious. To prevent any one getting hold of them while operating, they hit upon the plan of passing a rope through a button-hole of each gentleman’s coat, the ends to be held by a trusty person—assigning, as a reason for that arrangement, that it would then be known no one in the circle could assist in producing the manifestations. The plan did not always work well, however; for a skeptic would sometimes cut the rope, and then pounce upon “the spirit”—that is, if he didn’t happen to miss that individual, on account of the darkness and while trying to avoid a collision with the instruments.
To secure greater immunity from detection, and to enable them to exhibit in large halls which could not easily be darkened, the boys finally fixed upon a “cabinet” as the best thing in which to work. They had, some time before, made the “rope-test” a feature of their exhibitions; and in their cabinet-show they depended for success in deceiving entirely upon the presumption of the audience that their hands were so secured with ropes as to prevent their playing upon the musical instruments, or doing whatever else the spirits were assumed to do.
Their cabinet is about six feet high, six feet long, and two and a half feet deep, the front consisting of three doors, opening outward. In each end is a seat, with holes through which the ropes can be passed in securing the mediums. In the upper part of the middle door is a lozenge-shaped aperture, curtained on the inside with black muslin or oilcloth. The bolts are on the inside of the doors.
The mediums are generally first tied by a committee of two gentlemen appointed from the audience. The doors of the cabinet are then closed, those at the ends first, and then the middle one, the bolt of which is reached by the manager through the aperture.
By the time the end doors are closed and bolted,
