wrists, and in slipping their hands out, the latter being then exhibited at the aperture. Lest the hands should be recognized as belonging to the mediums, they are kept in a constant shaking motion while in view; and to make the hands look large or small, they spread or press together the fingers. With that peculiar rapid motion imparted to them, four hands in the aperture will appear to be half-a-dozen. A lady’s flesh colored kid glove, nicely stuffed with cotton, is sometimes exhibited as a female hand—a critical observation of it never being allowed. It does not take the medium long to draw the knots close to their wrists again. They are then ready to be inspected by the Committee, who report them tied as they were left. Supposing them to have been securely bound all the while, those who witness the show are very naturally astonished.
Sometimes, after being tied by a committee, the mediums cannot readily extricate their hands and get them back as they were; in which case they release themselves entirely from the ropes before the doors are again opened, concluding to wait till after “the spirits” have bound them, before showing hands or making music.
It is a common thing for these impostors to give the rope between their hands a twist while those limbs are being bound; and that movement, if dexterously made, while the attention of the committee-men is momentarily diverted, is not likely to be detected. Reversing that movement will let the hand out.
The great point with the Davenports in tying themselves is, to have a knot next their wrists that looks solid, “fair and square,” at the same time that they can slip it and get their hands out in a moment. There are several ways of forming such a knot, one of which I will attempt to describe. In the middle of a rope a square knot is tied, loosely at first, so that the ends of the rope can be tucked through, in opposite directions, below the knot, and the latter is then drawn tight. There are then two loops—which should be made small—through which the hands are to pass after the rest of the tying is done. Just sufficient slack is left to admit of the hands passing through the loops, which, lastly, are drawn close to the wrists, the knot coming between the latter. No one, from the appearance of such a knot, would suspect it could be slipped. The mediums thus tied can, immediately after the committee have inspected the knots, and closed the doors, show hands or play upon musical instruments, and in a few seconds be, to all appearance, firmly tied again.
If flour has been placed in their hands, it makes no difference as to their getting those members out of or into the ropes; but, to show hands at the aperture, or to make a noise on the musical instruments, it is necessary that they should get the flour out of one hand into the other. The moisture of the hand and squeezing, packs the flour into a lump, which can be laid into the other hand and returned without losing any. The little flour that adheres to the empty hand can be wiped off in the pantaloons pocket. The mediums seldom if ever take flour in their hands while they are in the bonds put upon them by the committee. The principal part of the show is after the tying has been done in their own way. Wm. Fay, who accompanies the Davenports, is thus fixed when the hypothetical spirits take the coat off his back.
As I before remarked, there are several ways in which the mediums tie themselves. They always do it, however, in such a manner that, though the tying looks secure, they can immediately get one or both hands out. Let committees insist upon untying the knots of the spirits, whether the mediums are willing or not. A little critical observation will enable them to learn the trick.
To make this subject of tying clearer, I will repeat that the Davenports always untie themselves by using their hands; as they are able in ninety-nine cases out of a hundred, however impossible it may seem, to release their hands by loosening the knots next their wrists. Sometimes they do this by twisting the rope between their wrists; sometimes it is by keeping their muscles as tense as possible during the tying, so that when relaxed there shall be some slack. Most “committees” know so little about tying, that anybody, by a little pulling, slipping, and wriggling, could slip his hands out of their knots.
A violin, bell, and tambourine, with perhaps a guitar and drum, are the instruments used by the Davenports in the cabinet. The one who plays the violin holds the bell in his hand with the bow. The other chap beats the tambourine on his knee, and has a hand for something else.
The “mediums” frequently allow a person to remain with them, providing he will let his hands be tied to their knees, the operators having previously been tied by “the spirits.” The party who ventures upon that experiment is apt to be considerably “mussed up,” as “the spirits” are not very gentle in their manipulations.
To expose all the tricks of these impostors would require more space than I can afford at present. They have exhibited throughout the Northern States and the Canadas; but never succeeded very well pecuniarily until about two years ago, when they employed an agent, who advertised them in such a way as to attract public attention. In September last, they went to England, where they have since created considerable excitement.
If the hands of these boys were tied close against the side of their cabinet, the ropes passing through holes and fastened on the outside, I think “the spirits” would always fail to work.
Dr. W. F. Van Vleck, of Ohio, to whom I am indebted for some of the facts contained in this chapter, can beat the Davenport brothers at their own game. In order that he might the better learn the various methods pursued by the professed “mediums” in deceiving the public, Dr. Van Vleck entered into the medium-business himself, and by establishing confidential relations with those of the profession whose acquaintance he made, he became duly qualified to expose them.
He was accepted and indorsed by leading spiritualists in different parts of the country, as a good medium, who performed the most remarkable spiritual wonders. As the worthy doctor practiced this innocent deception on the professed mediums solely in order that he might thus be able to expose their blasphemous impositions, the public will scarcely dispute that in this case the end justified the means. I suppose it is not possible for any professed medium to puzzle or deceive the doctor. He is up to all their “dodges,” because he has learned in their school. Mediums always insist upon certain conditions, and those conditions are just such as will best enable them to deceive the senses and pervert the judgment.
Anderson “the Wizard of the North,” and other conjurers in England, gave the Davenports battle, but the “prestidigitators” did not reap many laurels. Conjurers are no more likely to understand the tricks of the mediums than any other person is. Before a trick can be exposed it must be learned. Dr. Van Vleck, having learned “the ropes,” is competent to expose them; and he is doing it in many interesting public lectures and illustrations.
If the Davenports were exhibiting simply as jugglers, I might admire their dexterity, and have nothing to say against them; but when they presumptuously pretend to deal in “things spiritual,” I consider it my duty, while treating of humbugs, to do this much at least in exposing them.
CHAPTER X.
THE SPIRIT-RAPPING AND MEDIUM HUMBUGS.—THEIR ORIGIN.—HOW THE THING IS DONE.—$500 REWARD.
The “spirit-rapping” humbug was started in Hydesville, New York, about seventeen years ago, by several daughters of a Mr. Fox, living in that place. These girls discovered that certain exercises of their anatomy would produce mysterious sounds—mysterious to those who heard them, simply because the means of their production were not apparent. Reports of this wonder soon went abroad, and the Fox family were daily visited by people from different sections of the country—all having a greed for the marvelous. Not long after the strange sounds were first heard, some one suggested that they were, perhaps, produced by spirits; and a request was made for a certain number of raps, if that suggestion was
