THE BIG BOOK OF SPOOKY TALES - Horror Classics Anthology. Эдгар Аллан По

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THE BIG BOOK OF SPOOKY TALES - Horror Classics Anthology - Эдгар Аллан По

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was just in time to pull Jensen out of its reach with a cry of disgust and fright, when the door shut again, and a low laugh was heard.

      Jensen had seen nothing, but when Anderson hurriedly told him what a risk he had run, he fell into a great state of agitation, and suggested that they should retire from the enterprise, and lock themselves up in one or other of their rooms.

      However, while he was developing this plan, the landlord and two able-bodied men arrived on the scene, all looking rather serious and alarmed. Jensen met them with a torrent of description and explanation, which did not at all tend to encourage them for the fray.

      The men dropped the crowbars they had brought, and said flatly that they were not going to risk their throats in that devil's den. The landlord was miserably nervous and undecided, conscious that if the danger were not faced his hotel was ruined, and very loath to face it himself. Luckily Anderson hit upon a way of rallying the demoralized force.

      "Is this," he said, "the Danish courage I have heard so much of? It isn't a German in there, and if it was, we are five to one."

      The two servants and Jensen were stung into action by this, and made a dash at the door.

      "Stop!" said Anderson. "Don't lose your heads. You stay out here with the light, landlord, and one of you two men break in the door, and don't go in when it gives way."

      The men nodded, and the younger stepped forward, raised his crowbar, and dealt a tremendous blow on the upper panel. The result was not in the least what any of them anticipated. There was no cracking or rending of wood—only a dull sound, as if the solid wall had been struck. The man dropped his tool with a shout, and began rubbing his elbow. His cry drew their eyes upon him for a moment; then Anderson looked at the door again. It was gone; the plaster wall of the passage stared him in the face, with a considerable gash in it where the crowbar had struck it. Number 13 had passed out of existence.

      For a brief space they stood perfectly still, gazing at the blank wall. An early cock in the yard beneath was heard to crow; and as Anderson glanced in the direction of the sound, he saw through the window at the end of the long passage that the eastern sky was paling to the dawn.

      · · · · · · · ·

      "Perhaps," said the landlord, with hesitation, "you gentleman would like another room for to-night—a double-bedded one?"

      Neither Jensen nor Anderson was averse to the suggestion. They felt inclined to hunt in couples after their late experience. It was found convenient, when each of them went to his room to collect the articles he wanted for the night, that the other should go with him and hold the candle. They noticed that both Number 12 and Number 14 had three windows.

      Next morning the same party re-assembled in Number 12. The landlord was naturally anxious to avoid engaging outside help, and yet it was imperative that the mystery attaching to that part of the house should be cleared up. Accordingly the two servants had been induced to take upon them the function of carpenters. The furniture was cleared away, and, at the cost of a good many irretrievably damaged planks, that portion of the floor was taken up which lay nearest to Number 14.

      You will naturally suppose that a skeleton—say that of Mag. Nicolas Francken—was discovered. That was not so. What they did find lying between the beams which supported the flooring was a small copper box. In it was a neatly-folded vellum document, with about twenty lines of writing. Both Anderson and Jensen (who proved to be something of a palæographer) were much excited by this discovery, which promised to afford the key to these extraordinary phenomena.

      · · · · · · · ·

      I possess a copy of an astrological work which I have never read. It has, by way of frontispiece, a woodcut by Hans Sebald Beham, representing a number of sages seated round a table. This detail may enable connoisseurs to identify the book. I cannot myself recollect its title, and it is not at this moment within reach; but the fly-leaves of it are covered with writing, and, during the ten years in which I have owned the volume, I have not been able to determine which way up this writing ought to be read, much less in what language it is. Not dissimilar was the position of Anderson and Jensen after the protracted examination to which they submitted the document in the copper box.

      After two days' contemplation of it, Jensen, who was the bolder spirit of the two, hazarded the conjecture that the language was either Latin or Old Danish.

      Anderson ventured upon no surmises, and was very willing to surrender the box and the parchment to the Historical Society of Viborg to be placed in their museum.

      I had the whole story from him a few months later, as we sat in a wood near Upsala, after a visit to the library there, where we—or, rather, I—had laughed over the contract by which Daniel Salthenius (in later life Professor of Hebrew at Königsberg) sold himself to Satan. Anderson was not really amused.

      "Young idiot!" he said, meaning Salthenius, who was only an undergraduate when he committed that indiscretion, "how did he know what company he was courting?"

      And when I suggested the usual considerations he only grunted. That same afternoon he told me what you have read; but he refused to draw any inferences from it, and to assent to any that I drew for him.

      Joseph: A Story (Katherine Rickford)

       Table of Content

      They were sitting round the fire after dinner—not an ordinary fire, one of those fires that has a little room all to itself with seats at each side of it to hold a couple of people or three.

      The big dining-room was panelled with oak. At the far end was a handsome dresser that dated back for generations. One's imagination ran riot when one pictured the people who must have laid those pewter plates on the long, narrow, solid table. Massive, mediæval chests stood against the walls. Arms and parts of armour hung against the panelling; but one noticed few of these things, for there was no light in the room save what the fire gave.

      It was Christmas Eve. Games had been played. The old had vied with the young at snatching raisins from the burning snapdragon. The children had long since gone to bed; it was time their elders followed them, but they lingered round the fire, taking turns at telling stories. Nothing very weird had been told; no one had felt any wish to peep over his shoulder or try to penetrate the darkness of the far end of the room; the omission caused a sensation of something wanting. From each one there this thought went out, and so a sudden silence fell upon the party. It was a girl who broke it—a mere child; she wore her hair up that night for the first time, and that seemed to give her the right to sit up so late.

      "Mr. Grady is going to tell one," she said.

      All eyes were turned to a middle-aged man in a deep armchair placed straight in front of the fire. He was short, inclined to be fat, with a bald head and a pointed beard like the beards that sailors wear. It was plain that he was deeply conscious of the sudden turning of so much strained yet forceful thought upon himself. He was restless in his chair as people are in a room that is overheated. He blinked his eyes as he looked round the company. His lips twitched in a nervous manner. One side of him seemed to be endeavouring to restrain another side of him from a feverish desire to speak.

      "It was this room that made me think of him," he said thoughtfully.

      There was a long silence, but it occurred to no one to prompt him. Everyone seemed to understand that he was going to speak, or rather

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