BRITISH MYSTERIES - Fergus Hume Collection: 21 Thriller Novels in One Volume. Fergus Hume

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BRITISH MYSTERIES - Fergus Hume Collection: 21 Thriller Novels in One Volume - Fergus  Hume

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the Indians act. Let it dart, then, its blue ray, and drive them back to their forests.”

      “You are sure you can make it shine blue, Cocom?”

      “Señor,” said the old man, with great dignity, “I give my life to prove that this shall be so.”

      Jack took the opal from the outstretched hand of Dolores.

      “So be it!” he cried, fervently. “The opal has brought the Indians to Tlatonac; the opal shall send them back again to Totatzine.”

      Tim suddenly made his appearance with a face full of excitement.

      “Jack! Señor Maraquando!” he said, quickly, in Spanish, “the messenger you sent to spy on the Indians at Chichimec has returned.”

      “What does he say, Señor Correspoñsal?”

      “That the whole host of Indians are marching from Chichimec, and will be camped round the walls at dawn. Dios! We are lost!”

      “No,” cried Jack, brightly, “we are saved!”

      “What the deuce will save us, Jack?” asked Tim, in English.

      “This!”

      Duval held up the harlequin opal. A ray of sunlight struck the jewel, and a blue ray darted out like a tongue of steel.

      “Bueno!” said Cocom, stolidly, “the Chalchuih Tlatonac prophesies peace.”

       The Luck of the Opal

       Table of Contents

      The red ray dies in the opal stone,

       The god hath spoken,

       Arrow and bow and spear be broken,

       Red of war is the fiery token,

       And lo! in the zone,

       It pales, and fades, and faints, and dies,

       As sunsets wane in the eastern skies.

      The blue ray glows in the opal’s heart,

       The god is smiling,

       Victims no more need we be piling,

       On altar stone for his dread beguiling;

       The blue rays dart

       To tell us war must surely cease,

       So in the land let there be peace.

      Jack at once proceeded to execute his project. Fortunately Padre Ignatius had gone south in The Iturbide, thinking his ministrations might be required by the wounded, else Duval would never have gained the good priest’s consent to such a desecration of his chapel. As it was, Jack hoped to carry out his scheme, and restore the chapel to its original state before the return of the old man. The actual elevation of a heathen idol on the shrine of the Virgin, not being seen by Padre Ignatius, he would think less of the sacrilegious act, more especially when he would find on his return the altar in nearly the same state as when he left it. Being a Protestant, Jack had no scruples about the matter, and Cocom was such a queer mixture of paganism and Catholicism, that his views were not very decided. He believed in the Virgin certainly; but seeing that her altar was required to save the city, Cocom thought that she surely would not object to the conversion for a time of her chapel into a heathen temple. Besides, if this was not done, the Indians would be sure to destroy the shrine, so it was best to make an attempt to avert such a disaster, even in such an illegitimate way, rather than risk the whole place being destroyed by the savages. This was Cocom’s idea in the matter, therefore he proceeded to put an image of Huitzilopochtli in the place occupied by the cross. Father Ignatius would have died of horror had he witnessed such daring.

      All the afternoon they laboured to transfer the chapel into a semblance of the temple of the war-god, and at length succeeded in making it a very fair representation. Huitzilopochtli, his left foot decked with humming-bird feathers, was set up on the shrine itself, a small altar on which a fire was lighted burned before him, and the walls were draped with mats of featherwork and pictured linen, whereon were depicted the hideous forms of Aztec deities. From the roof, by a golden thread, hung the famous opal, spinning in the dim light. After some calculation, Cocom made a hole in the roof of the chapel, so that when the sun rose over the walls of the city his beams would pour through the opening and bathe the gem in floods of gold.

      Where Cocom had discovered all this idolatrous paraphernalia Jack could not make out, nor would the old Indian tell. But it confirmed Duval in his belief that in the near neighbourhood of Tlatonac the natives still worshipped the gods of their ancestors, for the celerity with which Cocom had produced statue, pictured linen, and altar, pointed to the existence of some hidden temple close at hand. In fact, despite Cocom’s asseverations to the contrary, Jack began to be doubtful as to his really being a Christian, for he betrayed far too much knowledge of paganism in its worst form to be quite orthodox. One thing, however, was certain, that, pagan or not, Cocom was greatly incensed against Ixtlilxochitli for maiming him, and was doing his best to thwart the plans of the savage old priest.

      Things having been thus arranged, towards sunset Jack tried to persuade Cocom to return with him to the city, and leave the opal to work out its own spell. This the obstinate octogenarian refused to do, averring that without his personal superintendence the scheme would fail. Jack unwilling that a man from whom he had derived so many benefits should be left unprotected amid a horde of bloodthirsty savages, insisted on remaining with him to keep vigil during the night. This offer Cocom also refused, and implored Jack to return at once to the city, and have the gates closed, as it was near sunset, and the Indian army would soon be close at hand.

      “Leave me here, Señor,” he said, with quiet obstinacy. “It may be that I fall not into their hands. They may take the opal—that is sure—but they may not take me. If you remain, your white skin will attract their fury, and they may sacrifice you before that very altar you have assisted to rear. I am an Indian, a Maya. Dog does not bite dog. It may be that I shall escape.”

      “Not if Ixtlilxochitli can help it.”

      “Oh, that evil one! He would have my blood, I know, Don Juan. But behold, Señor, if I—as the Indians, my countrymen, think—took the opal from Totatzine, I now bring it back again. That may save me!”

      “But, Cocom——”

      “Depart, Señor; I have my own plans. What says the proverb of the white people? ‘Every one is master of his own soul.’ Go! I save mine as I will!”

      It seemed to Jack that Cocom was desirous of wearing the crown of martyrdom. However, it was useless to turn him from his purpose, as he was obstinately set on daring the fury of the Indians. Jack, for a moment, thought of employing force, and looked at the spare frame of the old man, with the idea of picking him up and bearing him inside the city. Perhaps something of his purpose showed itself in his eyes, for Cocom suddenly darted out of the chapel and disappeared. Though he searched everywhere, Jack was unable to find him, so proceeded to the Puerta de la Culebra, and reported his arrival to Don Sebastian, who was stationed there in command of the guard.

      “And the Indian, Señor?”

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