History of English Humor (Vol. 1&2). A. G. K. L'Estrange
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The Misopogon is unique as a mock disparagement of self. Although written in condemnation of the Antiochians, a vein of pleasantry runs through it, which shows that Julian was not vindictive, and had a considerable gift of humour. Had he lived to mature age, he would probably have left some brilliant literary work. But shortly after his visit to Antioch, he led an expedition into Persia, and with his usual disregard of danger, entered the battle without his armour, and was mortally wounded.
We read that the Roman girls were very fond of amusing themselves in their leisure hours by making "scirpi" or riddles. They do not seem to have indulged much in puns, or to have attempted anything very intricate, but rather to have aimed at testing knowledge and memory. We have few specimens remaining of their art, but such as we have are of that early kind, which demand some special information for their solutions. Aulus Gellius has preserved one "old by Hercules," which turns on the legend that when Tarquinius Superbus was installing Jupiter at the Capitol, all the other gods were ready to leave except Terminus, who being by his character immovable, and having no legs, refused to depart.[31] Two other specimens are found in Virgil's bucolics:—
"Say in what lands grow flowers inscribed with names
Of kings—and Phyllis shall be yours alone,"
referring to the hyacinth, on whose petals the word Ajax was supposed to be found. The responding couplet runs:—
"Say, and my great Apollo thou shalt be,
Where heaven's span extends but three ells wide;"
the answer to which is not known.
Probably some riddles of an earlier date may be incorporated in the book of Symposius. Nothing is known of the life of this author, and it has been suggested that the word should be Symposium or the "Banquet"—these enigmas being supposed to be delivered after dinner. But most authorities consider Symposius to have lived in the fourth century, although an examination of his prosody might lead us to place him not earlier than the fifth. Very few of the riddles are really ingenious; among the best we may reckon:—
"Letters sustain me—yet I know them not,
I live on books, and yet I never read,
The Muses I've devoured and gained no knowledge."
This is tolerably self-evident, but some require special information as:—
"You can behold what you can scarce believe
There is but one eye, yet a thousand heads,
Who sells what he has, whence shall he get what he has not?"
Few would ever guess that this referred to a one-eyed man selling garlic. But the greater number of these conceits are merely emblematic descriptions of well-known things, and are more vague than epigrammatic, as,
"I am the purple of the earth suffused with lovely tints and girt, lest I be wronged with pointed spears. Happy indeed! had I but length of life."
"There's a new capture of some well-known game, that what you catch not, you bear off with you."
"Hoarsely amidst the waves I raise my voice
It sounds with praise with which it lauds itself,
And though I ever sing, no one applauds."
"Spontaneous coming, I show various forms,
I feign vain fears, when there is no true conflict,
But no one can see me till he shuts his eyes."
"By art four equal sisters run
As if in contest, though the labour's one,
And both are near, nor can each other touch."[32]
We know little of Macrobius except that he was a Greek, and lived in the fifth century. His principal work was his "Saturnalia," and he selected for it this title and plan, because, as he tells us, men were in his day so much occupied with business, that it was only in the annual festival of misrule that they had any time for reflection or social intercourse. The "Saturnalia," occupied the greater part of December, and Macrobius represents a company of magnates and wits agreeing to meet daily to discuss in the morning topics of importance, and to spend the evening in light and jocund conversation. His work treats of astronomy, mythology, poetry and rhetoric, but it is most interesting with regard to our present subject, where he brings before us one of those scenes of convivial merriment of which we have often heard. The party are to relate humorous anecdotes in turn. Avienus says that they should be intellectual not voluptuous, to which the president, Prætextatus, replies, that they will not banish pleasure as an enemy, nor consider it to be the greatest good. After these suggestions they commence:—
Prætextatus records a saying of Hannibal. Antiochus, to whom he had fled, showed him in a plain a vast army he had collected to make war with the Romans; the men were adorned with gold and silver, there were chariots with scythes, elephants with towers, cavalry shining with ornamental bits and housings. Then turning to Hannibal, he asked him if he thought they would be enough for the Romans. The Carthaginian, smiling at the weakness and cowardice of the gaudily accoutred host, replied, "Certainly, I think they will be enough for them, however greedy they may be."
Furius Albinus says that after the flight at Mutina, on some lady asking what Antony was doing, one of his friends replied, "What the dogs do in Egypt—drink and run!" "It is well known," he adds, "that there the dogs run while they drink, for fear of the crocodiles."
Avenienus says that the sister of Faustus, the son of Sylla, had two lovers—one of them, Fulvius, the son of a fuller; the other Pomponius, nick-named Spot. "I wonder," he said, "that my sister should have a spot, when she has a fuller."
The remaining guests speak more at length, and their discourses occupy a considerable portion of the book.
The example set by Martial gradually led to a considerable development of epigrammatic literature. A humorous epigram survives, written by Trajan on a man with a large nose:
"By placing your nose and gaping mouth opposite the sun
You will tell wayfarers the hour."
Justinian in the sixth century is supposed to have assisted Paul the Silentiary—a sort of master of the ceremonies—in his compositions; but it may be hoped that the Emperor was not an accomplice in producing the impurities with which they are disfigured. Here and there, however, a few sweet flowers are found in his poisonous garland. We may hope that he often received such a cool welcome as that he commemorates in his "Drenched Lover."
Hierocles and Philagrius are supposed to have lived in the fifth century, but the jests and stories which bear their names seem to be much later.