is the last will and testament of me John Larkom of Adaffia in the Gold Coast Colony, West Africa. I give and devise all my estate and effects, real and personal, which I may die possessed of or be entitled to, unto James Cook absolutely, and I appoint him the executor of this my will.
“Dated this thirteenth day of November one thousand eight hundred and ninety-seven.
“Signed by the testator in the presence of us, who thereupon made our marks in his and each other’s presence.
“JOHN LARKOM.
“Kwaku Mensah of Cape Coast. His + mark
“Pea Soup of Half-Jack. His X mark.”
“I’ve given you your new name, you see,” Larkom explained. “Take charge of this precious document and keep that letter from the firm. Burn all other papers.”
“But,” exclaimed Cook, “why are you talking as if you expected to snuff out? You’ve had fever before, I suppose?”
“Rather,” said Larkom. “But you’re a newcomer; you don’t sabby. I’m an old coaster, and I sabby proper. Look at that, dear boy. Do you know what that means?” He held out a shaking, lemon-coloured hand, and as his companion regarded it silently, he continued:
“That means blackwater fever; and when a Johnny like me goes in for that luxury, it’s a job for the gardener. And talking of that, you’d better plant me in the far corner of the compound where the empty casks are kept, by the prickly-pear hedge; I shall be out of the way of traffic there, though graves are a damned nuisance in business premises, anyhow.”
“Oh, dry up, Larkom, and get to bed,” growled Cook; “and, I say, aren’t there any doctors in this accursed place?”
Larkom grinned. “In the fossil state, dear boy, they are quite numerous. Otherwise scarce. The medico up at Quittah died three days ago, as I told you, and there are no others on tap just now. No good to me if they were. Remember what I’ve told you. Burn all papers and, when you’ve planted me, take over the factory and make things hum. There’s a living to be made here and you’ll make it. Leave the swizzle-stick alone, old chappie, and if ever you should chance to meet Hepburn again, give him my love and kick him—kick him hard. Now I’m going to turn in.”
Larkom’s forecast of the probable course of his illness bid fair to turn out correct. In the intervals of business—which, perversely enough, was unusually brisk on this day—Cook looked in on the invalid and at each visit found him visibly changed for the worse. The pale-lemon tint of his skin gave place to a horrible dusky yellow; his voice grew weaker and his mind more clouded, until at last he sank into a partial stupor from which it was almost impossible to rouse him. He wanted nothing, save an occasional sip of water, and nothing could be done to stay the march of the fell disease.
So the day passed on, a day of miserable suspense for Cook; the little caravans filed into the compound, the kernels and copra and knobs of rubber rolled out of the calabashes on to the ground, the oil gurgled softly into the puncheon, the bush people chattered vivaciously in the store and presently departed gleefully with their purchases; and still Larkom lay silent and apathetic and ever drawing nearer to the frontier between the known and the unknown. The evening fell, the store was locked up, the compound gate was shut, and Cook betook himself with a shaded lamp to sit by the sick man’s bed.
But presently the sight of that yellow face, grown suddenly so strangely small and pinched, the sharpened nose, and the sunken eyes with the yellow gleam of the half-seen eyeballs between the lids, was more than he could bear, and he stole softly through into the sitting-room, there to continue his vigil. So hour after weary hour passed. The village sank to rest (for it was a moonless night) and the sounds that came in through the open window were those of beast and bird and insect. Bats whistled out in the darkness, cicadas and crickets chirred and chirruped, the bark of the genet and the snuffling mutter of prowling civets came from without the compound, while far away the long-drawn, melancholy cry of a hyena could be heard in the intervals of the booming surf.
And all the while the sick man slowly drew nearer to the dread frontier.
It wanted but an hour to dawn when a change came. The feeble babblings and mumblings, the little snatches of forgotten songs chanted in a weak, quavering treble, had ceased for some time, and now through the open door came a new sound—the sound of slow breathing mingled with a soft, moist rattling. The watcher rose from his chair and once again crept, lamp in hand, into the dimly-lighted room, there to stand looking down gloomily at the one friend that Fate had left him. Larkom was now unconscious and lay quite still, save the heaving chest and the rise and fall of the chin with each breath.
Cook took put down the lamp, and, sitting down, gently took the damp and chilly hand in his, while he listened, in agony at his own helplessness, to the monotonous, rattling murmur that went on and on, to and fro, like the escapement of some horrible clock.
By and by it stopped, and Cook fumbled at the tepid wrist; then, after a pause, it began again with an altered rhythm and presently paused again, and again went on; and so the weary, harrowing minutes passed, the pauses growing ever longer and the rattling murmur more and more shallow. At last there came a pause so long that Cook leaned over the bed to listen. A little whispering sigh was borne to his ear, then all was still; and when, after waiting yet several minutes more, he had reverently drawn the gaudy tablecloth over the silent figure, he went back to his chair in the sitting room, there to wait, with grim face and lonely heart, for the coming of the day.
The late afternoon sun was slanting eagerly over the palm-tops as he took his way to the far corner of the compound that faced towards the western beach. The empty barrels had been rolled away and, in the clear space, close to the low prickly-pear hedge, a smooth mound of yellow sand and a rough wooden cross marked the spot where Larkom, stitched up in sacking in lieu of a coffin, had been laid to rest. The cross had occupied most of Cook’s scanty leisure since the hurried burial in the morning (for trade was still perversely brisk, despite the ragged house-flag half-mast on the little flag-pole), and he was now going to put the finishing touches to it.
It was a rude enough memorial, the upright from a board from one of the long gun-crates, and the cross-piece formed by a new barrel stave cut to the requisite length; and the lack of paint left it naked and staring.
Cook laid down on the sand a box containing his materials—a set of zinc stencil plates, used for marking barrels and cases, a stencil brush, and a pot of thin black paint—and sketched out lightly in pencil the words of the inscription:
JOHN LARKOM 14th November 1897
Then he picked out a J from the set of stencil plates, dipped the brush in the pot, and made the first letter, following it in order with O, H, and N. Something in the look of the familiar name—his own name as well as Larkom’s—made him pause and gaze at it thoughtfully, and his air was still meditative and abstracted as he stooped and picked up the L to commence the following word. Rising with the fresh plate in his hand, he happened to glance over the low hedge along the stretch of beach that meandered away to a distant, palm-clad headland; and then he noticed for the first time a little group of figures that stood out sharply against the yellow background. They were about half a mile distant and were evidently coming towards the village; and there was something in their appearance that caused him to examine them narrowly. Four of the figures walked together and carried some large object that he guessed to be a travelling hammock; four others straggled some little distance behind; and yet three more, who walked ahead of the hammock, seemed to carry guns or rifles on their shoulders.
Still holding the plate and brush, Cook stood motionless, watching
