fact is, you see, the priests are the best tax-collectors God ever put on earth, and Monseigneur of Valois has grasped that fact. Instead of being ruthless about the taxes, whose collectors are hated anyway, he makes the priests collect the tithe. Oh, we shall set out on a crusade, one of these days. But, meantime, the Pope pays by shearing his sheep.’
Tolomei was gently rubbing his right leg; for some time past he had felt a sensation of cold in it, and some pain in walking.
‘You were saying, Monseigneur, that a Council was held this morning. Was anything of particular interest decided on?’ he asked.
‘Oh, just the usual stuff. We discussed the price of candles and forbade the mixing of tallow with wax, and the mingling of old jam with new. For all merchandise sold in wrappers, the weight of the wrappers is to be deducted and not included in the price. But this is all to please the common people and show them we have their interests at heart.’
Tolomei listened and watched his two visitors. They both seemed to him very young. How old was Robert of Artois? Thirty-five, thirty-six? And the Englishman seemed much the same age. Everyone under sixty seemed to him astonishingly young. How much they still had to do, how many emotions still to suffer, battles to fight and ambitions to realize. How many mornings they would see that he would never know. How often these two men would awaken and breathe the air of a new day, when he himself was under the ground.
And what kind of man was Lord Mortimer? The clear-cut face, the thick eyebrows, the straight line of the eyelids across the flint-coloured eyes, the sombre clothes, the way he crossed his arms, the silent, haughty assurance of a man who had sat on the pinnacle of power and intended to preserve all his dignity in exile, even the automatic gesture with which Mortimer ran his finger across the short white scar on his lip, all pleased the old Sienese. And Tolomei felt he would like this lord to recover his happiness. For some time past, Tolomei had acquired almost a taste for thinking of others.
‘Are the regulations concerning the export of currency to be promulgated in the near future, Monseigneur?’ he asked.
Robert of Artois hesitated before replying.
‘Oh, of course, I don’t suppose you’ve been told yet …’ Tolomei added.
‘Of course, naturally I’ve been told. You very well know that nothing is done without my advice being asked by the King, and by Monseigneur of Valois above all. The order will be sealed in two days’ time. No one will be permitted to export gold or silver currency stamped with the die of France from the kingdom. Only pilgrims will be allowed to provide themselves with a few small coins.’
The banker pretended to attach no greater importance to this piece of news than he had to the price of candles or the adulteration of jam. But he was already thinking: ‘That means foreign currency will alone be permitted to be taken out of the kingdom; as a result, it will increase in value … What a help these blabbers are to us in our profession. How the boasters give us for so little the information they could sell so dear.’
‘So, my lord,’ he went on, turning to Mortimer, ‘you intend to establish yourself in France? What can I provide?’
It was Robert who replied.
‘What a great Lord needs to maintain his rank. You’re accustomed enough to that, Tolomei.’
The banker rang a handbell. He told the servant to bring his great book, and added: ‘If Messer Boccaccio has not left, ask him to wait till I’m free.’
The book was brought, a thick volume covered in black leather, smooth from much handling, and its vellum leaves held together by adjustable fastenings so that more leaves could be added as desired. This device enabled Messer Tolomei to keep the accounts of his important clients in alphabetical order and not to have to search for scattered pages. The banker placed the volume on his knees, and opened it with some ceremony.
‘You’ll find yourself in good company, my lord,’ he said. ‘Look, honour where honour is due, my book begins with the Count of Artois. You’ve a great many pages, Monseigneur,’ he added with a little laugh, looking at Robert. ‘Here’s the Count de Bouville for his missions to the Pope and to Naples. And here’s Madame the Queen Clémence …’
The banker inclined his head in deference.
‘Oh, she gave us a lot of anxiety after the death of Louis X: it was as if mourning put her in a frenzy of spending. The Holy Father himself exhorted her to moderation in a special letter, and she had to pawn her jewels with me to pay off her debts. Now she’s living in the Palace of the Templars which she exchanged against the Castle of Vincennes; she gets her dowry and seems to have found peace.’
He went on turning over the pages which rustled under his hand.
‘And now I’m boasting,’ he thought. ‘But one must do something to emphasize the importance of the services one renders, and to show that one’s not dazzled by a new borrower.’
He had a clever way of letting them see the names while concealing the figures with his arm. He was only being half-indiscreet. And, after all, he had to admit that his whole life was contained in this book, and that he enjoyed every opportunity of looking through it. Each name, each figure evoked so many memories, so many intrigues, so many secrets of which he had been the recipient, and so many entreaties by which he had been able to measure his power. Each figure commemorated a visit, a letter, a clever deal, a feeling of sympathy or one of harshness towards a negligent debtor. It was nearly fifty years since Spinello Tolomei, on his arrival from Siena, had begun by doing the rounds of the fairs of Champagne, and then come to live here, in the Rue des Lombards, to keep a bank.11
Another page, and another, which caught in his broken nails. A black line was drawn through a name.
‘Here’s Messer Dante Alighieri, the poet, but only for a small sum, when he came to Paris to visit Queen Clémence after she had become a widow. He was a great friend of hers, as he had been of King Charles of Hungary, Madame Clémence’s father. I remember him sitting in your chair, my lord. A man without a spark of kindness. He was the son of a money-changer; and he talked to me for a whole hour with great contempt of the financier’s trade. But he could afford to be ill-natured and go off and get drunk with women in houses of ill-fame, while talking of his pure love for the Lady Beatrice. He made our language sing as no one before him has ever done. And how he described the Inferno, my lord! You have not read it? Oh, you must have it translated. One trembles to think that it may perhaps be like that. Do you know that in Ravenna, where Messer Dante spent his last years, the people used to scatter from his path in fear because they thought he really had gone down into Hell? And, even now, many people refuse to believe that he died two years ago, for they say he was a magician and could not die. He certainly didn’t like banking, nor indeed Monseigneur of Valois who exiled him from Florence.’
The whole time he was talking of Dante, Tolomei was putting out his two fingers again and touching the wood of his chair.
‘There, that’s where you’ll be, my lord,’ he went on, making a mark in his big book; ‘immediately after Monseigneur de Marigny; but be reassured, not the one who was hanged and whom Monseigneur of Artois mentioned a little while ago. No, his brother, the Bishop of Beauvais. From today you have a credit with me of ten thousand livres. You can draw on it at your convenience, and look on my modest house as your own. Cloth, arms, jewels, you will find every kind of goods you may require at my counters and can charge them against this credit.’
He was carrying on his trade by habit; lending people the wherewithal to buy what he sold.
‘And
