Property. Robert Lamb A.

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rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

      ISBN-13: 978-1-5095-1919-4

      ISBN-13: 978-1-5095-1920-0 (pb)

      A catalogue record for this book is available from the British Library.

      Typeset in 10.5 on 12 pt Sabon

      by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NL

      Printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon

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      Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

      For further information on Polity, visit our website: politybooks.com

       For Lawrence

      I am very grateful to George Owers at Polity for first suggesting (in late 2015) that I write this book and for being – along with Julia Davies – supportive and patient as I followed the established academic convention of missing multiple agreed deadlines. I am not in the habit of missing more than one such deadline, but the last four years have been very hectic. Thanks are due to various colleagues and family members, but particularly to whomever developed the ‘out-of-office’ email message that helped me keep some time to myself during my tenure as head of department, enabling me to make (slow) progress on the manuscript.

      R. L.

      In his novel The Information, Martin Amis makes the following observations – via his hapless protagonist Richard Tull – about the worldview and attitudes of an artist:

      He was an artist when he saw society: it never crossed his mind that society had to be like this, had any right, had any business being like this. A car in the street. Why? Why cars? This is what an artist has to be: harassed to the point of insanity or stupefaction by first principles. (Amis 1995: 11)

      We can juxtapose a critical, historicised role for the normative political theorist to the naturalistic tendency we often find in much modern economics as well as other broadly positivistic social sciences. Political philosophy can acknowledge the contingency that characterises all social practices and institutions and invite us to interrogate the world around us in the manner of Amis’s artist: it provokes us to ask probing questions about the character of our civic life. In the case of this book, the question we will address is why private property? Asking such radical questions does not, of course, in any

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