Amenities of Literature. Disraeli Isaac
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Whatever Robert de Brunne might allude to by his “strange Ingliss,”9 the same cry and the identical expressions are repeated by a writer not many years afterwards—Richard Rolle, called “the Hermit of Hampole.” He produced the earliest versions of the Psalms into English prose, with a commentary on each verse; and a voluminous poem in ten thousand lines, entitled “The Prikke of Conscience,” translated from the Latin for “the unletterd men of Engelonde who can only understand English.” In the prologue to this first Psalter in English prose he says, “I seke no straunge Ynglyss, bot lightest and communest, and wilk (such) that is most like unto the Latyn; and thos I fine (I find) no proper Inglis I felough (follow) the wit of the words, so that thai that knowes noght (not) the Latyne, be (by) the Ynglys may come to many Latyne wordys.” Here we arrive at open corruption! Already a writer appears refined enough to complain of the poverty of the language in furnishing “proper Inglis” or synonymes for the Latin; the next step must follow, and that would be in due time the latinising “the Ynglys.”
A great curiosity of the genuine homeliness of our national idiom at this time has come down to us in a manuscript in the Arundel Collection, now in our national library. It is a volume written by a monk of St. Austin’s at Canterbury, in the Kentish dialect, about a century and a half after Layamon, and half a century after Robert of Gloucester, in 1340. This honest monk, like others of the Saxon brotherhood, was writing for his humbled countrymen, or, as he expresses himself, with a rude Doric simplicity,
Vor Vader and for Moder and for other Ken.
I throw into a note what I have transcribed of this specimen of the old Saxon-English, or, as it is called, “Semi-Saxon.”10 In this specimen of the language as spoken by the people the barbarism is native, pure in its impurity, and unalloyed by any spurious exotic. This English spoken in the Weald of Kent, Caxton tells us, in his time, was “as broad and rude English as is spoken in any place in England.” When contrasted with the diction of a northern bard, whom a singular accident retrieved for us,11 it offers a curious picture of the English language, so different at precisely the same period. The minstrel’s flow of verse almost anticipates the elegance of a writer of two centuries later.
The poems of Laurence Minot consist of ten narrative ballads on some of the wars of Edward the Third in Scotland and in France. The events this bard records show that his writings were completed in 1352. His editor is surprised that “the great monarch whom he so eloquently and so earnestly panegyrised was either ignorant of his existence or insensible of his merit.” Minot was probably nothing more than a northern minstrel, whose celebrity did not extend many leagues. His verses convey to us a perfect conception of the minstrel character, throwing out his almost extemporaneous “Lays” on the predominant incidents of his day. All these narrative poems open by soliciting the attention of the auditors:—
Lithes! and I sall tell you tyll The bataile of Halidon Hyll. |
And in another—
Herkins how long King Edward lay, With his men before Tournay. |
The singularity of these “Lays” consists in coming down to us in a written form, evidently with great care and fondness, bearing their author’s unknown name. They might have appropriately been preserved in Percy’s “Reliques of English Poetry.”12
Three centuries had now passed, and still the national genius languished in the Norman bondage of the language. But the commonalty were increasing in number and in weight, and an indignant sense of the destitution of a national language was not confined to the laity; it was attracting the attention of those who thought and who wrote. Richard of Bury, Bishop of Durham, who put forth the first bibliographical treatise by an Englishman, and may he ranked among the earliest critical collectors of a private library, in his celebrated treatise on the love of books, the “Philo-biblion,”13 breathes all the enthusiasm of study; but while he directs our attention to the classical writers of antiquity, he stimulates his contemporaries to emulate them by composing new books. Although he himself wrote in Latin, he regrets that no institution for children in the English language existed; and he complains, that our English youth “first learned the French, and from the French the Latin.” Our youth were sent into France to polish their nasal Norman. This writer flourished about 1330, and thus ascertains, that in the beginning of the reign of Edward III. no English was taught. The “Polychronicon,” a Latin chronicle compiled by the monk Higden, was finished somewhat later, about 1365; and we find the complaint more bitterly renewed. “There is no nation,” wrote this honest monk, “whose children are compelled to leave their own language, as we have since the Normans came into England. A gentleman’s child must speak French from the time that he is rocked in a cradle, or plays with a child’s breche.”
The Latin Chronicle of Higden, twenty years later, was translated into English by John de Trevisa. On this passage the translator furnishes the important observation, that, since this was written, a revolution had occurred through our grammar-schools: the patriotic efforts of one Sir John Cornewaile, in teaching his pupils to construe their Latin into English, had been generally adopted; “so that now,” proceeds Trevisa, “the yere of our Lorde 1385, in all the grammere scoles of Engelond, children leaveth Frensche and construeth and lerneth in Englische.” The innovation had startled our translator, for, like all innovations, there was loss as well as profit, when, quitting what we are accustomed to, we launch dubiously into a new acquisition. The disuse of the French would detriment their intercourse abroad, and, on great occasions, at home. This was a time when Trevisa himself, in selecting some Scriptural inscriptions for the chapel of Berkley Castle, where he was chaplain, had them painted on boards in Norman-French, and Latin, in alternate lines. They are still visible. English itself was yet too base for the service of God.
It was still a debateable question, as appears by the prefatory dialogue between Trevisa and his patron, Lord Berkley, whether any translation of the Chronicle were at all necessary, Latin being the general language. It was, however, a noble enterprise, being the first great effort in our vernacular prose. This mighty volume is a universal history, which, in its amplitude and miscellaneous character, seemed to contain all that men could know; and the version long enjoyed the favour of all readers as the first historical collection in the English language. It bears the seal of the monkish taste, being equally pious and fabulous. It not only opens before the days of Adam, but, like the creation, has its seven divisions; it has monsters, however, which are not found in Genesis. The monk is doubtful whether they came of Adam or of Noah. They, indeed, came from the elder Pliny, to whose puerile wonders and hasty compilation we owe the foundation of our natural history.
It was about the period that Higden concluded his labours, that Sir John Mandeville deemed it wise, having written his Travels in Latin and French, to compose them also in the vernacular idiom;—a strong indication of the rising disposition to cultivate the national tongue. The policy of our Government now accorded with the general disposition; and hence originated the noble decision of Edward III., in 1362, to banish from our courts of law the Norman-French; but so awkward seemed this great novelty, that the statute is written in the very language it abolishes,14 and, indeed, to which our great lawyers, the timid slaves of precedents, long afterwards clung in their barbarous law-French phrases mingled with their native English.
A mightier movement even than the royal decree in favour of fostering the national language was a translation of the Scriptures, by the intrepid spirit of Wickliffe. This had been done with the pledge of his