too, that madame was your cousin, that you were forty years old and that she was thirty-seven, and that you lived very happily together; in fact, I told her all about you. She seemed to be very much interested, and kept saying, "Yes, yes," in her deliberate way; and, when I stopped for a moment, she nodded her head as though to tell me she was listening and that I might go on. So we went on talking in this way, with our backs against the wall, like a couple of old friends, till it was quite dark.'
Mouret bounced from his chair in angry indignation.
'What!' he cried, 'is that all? She led you on to gossip to her for an hour, and she herself told you nothing!'
'When it got dark, she said to me: "The air is becoming quite chilly." And then she took up her pail and went back upstairs.'
'You are nothing but an idiot! That old woman up there is more than a match for half a score such as you. Ah! they'll be laughing finely now that they have wormed out of you all that they wanted to know about us. Do you hear me, Rose? I tell you that you are nothing but an idiot!'
The old cook waxed very indignant, and began to bounce excitedly up and down the kitchen, knocking the pots and pans about noisily, and crumpling up the dusters and flinging them down.
'It was scarcely worth your while, sir,' she hissed, 'to come into my kitchen to call me insulting names. You had better take yourself off. What I did, I did to please you. If madame finds us here together talking about those people, she will be angry with me, and quite rightly, because it is wrong for us to be doing so. And after all, I couldn't drag words from the old lady's lips if she wasn't willing to talk. I did as any one else would have done under the same circumstances. I talked and told her about your affairs, and it was no fault of mine that she didn't tell me about hers. Go and ask her about them yourself, since you are anxious to know about them. Perhaps you won't make such an idiot of yourself as I have done.'
She had raised her voice, and was talking so loudly that Mouret thought it would be more prudent to retire, and he did so, closing the kitchen door after him, in order to prevent his wife from hearing the servant. But Rose immediately pulled it open again, and cried after him down the passage:
'I shall bother myself about it no longer; do you hear? You may get somebody else to do your underhand business for you!'
Mouret was quite vanquished. He showed some irritation at his defeat, and tried to console himself by saying that those second-floor tenants of his were mere nobodies. Gradually he succeeded in making this opinion of his that of his acquaintances, and then that of the whole town. Abbé Faujas came to be looked upon as a priest without means and without ambition, who was completely outside the pale of the intrigues of the diocese. People imagined that he was ashamed of his poverty, that he was glad to perform any unpleasant duties in connection with the cathedral, and tried to keep himself in obscurity as much as possible. There was only one matter of curiosity left in connection with him, and that was the reason of his having come to Plassans from Besançon. Queer stories were circulated about him, but they all seemed very improbable. Mouret himself, who had played the spy over his tenants simply for amusement and in order to pass the time, just as he would have played a game at cards or bowls, was even beginning to forget that he had a priest living in his house, when an incident occurred which revived all his curiosity.
One afternoon as he was returning home, he saw Abbé Faujas going up the Rue Balande in front of him. Mouret slackened his pace and examined the priest at his leisure. Although Abbé Faujas had been lodging in his house for a month, this was the first time that he had thus seen him in broad daylight. The Abbé still wore his old cassock, and he walked slowly, with his hat in his hand and his head bare in spite of the chilly air. The street, which was a very steep one, with the shutters of its big, bare houses always closed, was quite deserted. Mouret, who quickened his pace, was at last obliged to walk on tip-toes for fear lest the priest should hear him and make his escape. But as they neared Monsieur Rastoil's house, a group of people turning out of the Place of the Sub-Prefecture entered it. Abbé Faujas made a slight détour to avoid these persons. He watched the door close, and then, suddenly stopping, he turned round towards his landlord, who was now close up to him.
'I am very glad to have met you,' said he, with all his wonted politeness, 'otherwise I should have ventured to disturb you this evening. The last time it rained, the wet came through the ceiling of my room, and I should much like to show it you.'
Mouret remained standing in front of him, and stammered in confusion that he was entirely at the Abbé's service. Then, as they went indoors together, he asked him at what time he should go to look at the ceiling.
'Well, I should like you to come at once,' the Abbé replied, 'if it wouldn't be troubling you too much.'
Mouret went up the stairs after him so excited that he almost choked, while Rose followed them with her eyes from the kitchen doorway quite dazed with astonishment.
IV
When Mouret reached the second floor he was more perturbed than a youth at his first assignation. The unexpected satisfaction of his long thwarted desires, and the hope of seeing something quite extraordinary, almost prevented him from breathing. Abbé Faujas slipped the key which he carried, and which he quite concealed in his big fingers, into the lock without making the faintest noise, and the door opened as silently as if it had been hung upon velvet hinges. Then the Abbé, stepping back, mutely motioned to Mouret to enter.
The cotton curtains at the two windows were so thick that the room lay in a pale, chalky dimness like the half-light of a convent cell. It was a very large room, with a lofty ceiling, and a quiet, neat wall-paper of a faded yellow. Mouret ventured forward, advancing with short steps over the tiled floor, which was as smooth and shiny as a mirror, and so cold that he seemed to feel a chill through the soles of his boots. He glanced furtively around him and examined the curtainless iron bedstead, the sheets of which were so straightly stretched that it looked like a block of white stone lying in the corner. The chest of drawers, stowed away at the other end of the room, a little table in the middle, and two chairs, one before each window, completed the furniture. There was not a single paper on the table, not an article of any kind on the chest of drawers, not a garment hanging against the walls. Everything was perfectly bare except that over the chest of drawers there was suspended a big black wooden crucifix, looking like a dark splotch amidst the bare greyness of the room.
'Come this way, sir, will you?' said the Abbé. 'It is in this corner that the ceiling is stained.'
But Mouret did not hurry, he was enjoying himself. Although he saw none of the extraordinary things that he had vaguely expected to see, there seemed to him to be a peculiar odour about the room. It smelt of a priest, he thought; of a man with different ways from other men. But it vexed him that he could see nothing on which he might base some hypothesis carelessly left on any of the pieces of furniture or in any corner of the apartment. The room was just like its provoking occupant, silent, cold, and inscrutable. He was extremely surprised, too, not to find any appearance of poverty as he had expected. On the contrary, the room produced upon him much the same impression as he had felt when he had once entered the richly furnished drawing-room of the prefect of Marseilles. The big crucifix seemed to fill it with its black arms.
Mouret felt, however, that he must go and look at the corner which Abbé Faujas was inviting him to inspect.
'You see the stain, don't you?' asked the priest. 'It has faded a little since yesterday.'
Mouret rose upon tip-toes and strained his eyes, but at first he could see nothing.
