The Wandering Jew (Vol.1-11). Эжен Сю

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The Wandering Jew (Vol.1-11) - Эжен Сю

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      "Be easy, good sister." Mother Bunch hurriedly descended the staircase, to resume her watch at the street door, and Agricola re-entered his garret. "Dear father," he said to Dagobert, "my mother has just received this letter, and she requests you to read it."

      "Very well; read it for me, my boy." And Agricola read as follows:

      "MADAME.—I understand that your husband has been charged by General Simon with an affair of very great importance. Will you, as soon as your husband arrives in Paris, request him to come to my office at Chartres without a moment's delay. I am instructed to deliver to himself, and to no other person, some documents indispensable to the interests of General Simon.

      "DURAND, Notary at Chartres."

      Dagobert looked at his son with astonishment, and said to him, "Who can have told this gentleman already of my arrival in Paris?"

      "Perhaps, father," said Agricola, "this is the notary to whom you transmitted some papers, and whose address you have lost."

      "But his name was not Durand; and I distinctly recollect that his address was Paris, not Chartres. And, besides," said the soldier, thoughtfully, "if he has some important documents, why didn't he transmit them to me?"

      "It seems to me that you ought not to neglect going to him as soon as possible," said Agricola, secretly rejoiced that this circumstance would withdraw his father for about two days, during which time his (Agricola's) fate would be decided in one way or other.

      "Your counsel is good," replied his father.

      "This thwarts your intentions in some degree?" asked Gabriel.

      "Rather, my lads; for I counted upon passing the day with you. However, 'duty before everything.' Having come happily from Siberia to Paris, it is not for me to fear a journey from Paris to Chartres, when it is required on an affair of importance. In twice twenty-four hours I shall be back again. But the deuce take me if I expected to leave Paris for Chartres to-day. Luckily, I leave Rose and Blanche with my good wife; and Gabriel, their angel, as they call him, will be here to keep them company."

      "That is, unfortunately, impossible," said the missionary, sadly. "This visit on my arrival is also a farewell visit."

      "A farewell visit! Now!" exclaimed Dagobert and Agricola both at once.

      "Alas, yes!"

      "You start already on another mission?" said Dagobert; "surely it is not possible?"

      "I must answer no question upon this subject," said Gabriel, suppressing a sigh: "but from now, for some time, I cannot, and ought not, come again into this house."

      "Why, my brave boy," resumed Dagobert with emotion, "there is something in thy conduct that savors of constraint, of oppression. I know something of men. He you call superior, whom I saw for some moments after the shipwreck at Cardoville Castle, has a bad look; and I am sorry to see you enrolled under such a commander."

      "At Cardoville Castle!" exclaimed Agricola, struck with the identity of the name with that of the young lady of the golden hair; "was it in Cardoville Castle that you were received after your shipwreck?"

      "Yes, my boy; why, does that astonish you?" asked Dagobert.

      "Nothing father; but were the owners of the castle there at the time?"

      "No; for the steward, when I applied to him for an opportunity to return thanks for the kind hospitality we had experienced, informed me that the person to whom the house belonged was resident at Paris."

      "What a singular coincidence," thought Agricola, "if the young lady should be the proprietor of the dwelling which bears her name!"

      This reflection having recalled to Agricola the promise which he had made to Mother Bunch, he said to Dagobert; "Dear father, excuse me; but it is already late, and I ought to be in the workshop by eight o'clock."

      "That is too true, my boy. Let us go. This party is adjourned till my return from Chartres. Embrace me once more, and take care of yourself."

      Since Dagobert had spoken of constraint and oppression to Gabriel, the latter had continued pensive. At the moment when Agricola approached him to shake hands, and to bid him adieu, the missionary said to him solemnly, with a grave voice, and in a tone of decision that astonished both the blacksmith and the soldier: "My dear brother, one word more. I have come here to say to you also that within a few days hence I shall have need of you; and of you also, my father (permit me so to call you)," added Gabriel, with emotion, as he turned round to Dagobert.

      "How! you speak thus to us!" exclaimed Agricola; "what is the matter?"

      "Yes," replied Gabriel, "I need the advice and assistance of two men of honor—of two men of resolution;—and I can reckon upon you two—can I not? At any hour, on whatever day it may be, upon a word from me, will you come?"

      Dagobert and his son regarded each other in silence, astonished at the accents of the missionary. Agricola felt an oppression of the heart. If he should be a prisoner when his brother should require his assistance, what could be done?

      "At every hour, by night or by day, my brave boy, you may depend upon us," said Dagobert, as much surprised as interested—"You have a father and a brother; make your own use of them."

      "Thanks, thanks," said Gabriel, "you set me quite at ease."

      "I'll tell you what," resumed the soldier, "were it not for your priest's robe, I should believe, from the manner in which you have spoken to us, that you are about to be engaged in a duel—in a mortal combat."

      "In a duel?" said Gabriel, starting. "Yes; it may be a duel—uncommon and fearful—at which it is necessary to have two witnesses such as you—A FATHER and A BROTHER!"

      Some instants afterwards, Agricola, whose anxiety was continually increasing, set off in haste for the dwelling of Mademoiselle de Cardoville, to which we now beg leave to take the reader.

      CHAPTER XXXIII.

      THE PAVILION.

       Table of Contents

      Dizier House was one of the largest and handsomest in the Rue Babylone, in Paris. Nothing could be more severe, more imposing, or more depressing than the aspect of this old mansion. Several immense windows, filled with small squares of glass, painted a grayish white, increased the sombre effect of the massive layers of huge stones, blackened by time, of which the fabric was composed.

      This dwelling bore a resemblance to all the others that had been erected in the same quarter towards the middle of the last century. It was surmounted in front by a pediment; it had an elevated ground floor, which was reached from the outside by a circular flight of broad stone steps. One of the fronts looked on an immense court-yard, on each side of which an arcade led to the vast interior departments. The other front overlooked the garden, or rather park, of twelve or fifteen roods; and, on this side, wings, approaching the principal part of the structure, formed a couple of lateral galleries. Like nearly all the other great habitations of this quarter, there might be seen at the extremity of the garden, what the owners and occupiers of each called the lesser mansion.

      This extension

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