to drive a whole city mad with nonsense; for such a tissue of abominable absurdities, bombast and blasphemy, bad taste and bad language, was never surely indited by any madman, in or out of Bedlam: not Maturin himself, that king of fustian,
"——ever wrote or borrowed
Any thing half so horrid!"
and this is the book which has turned the brains of half Paris, which has gone through fifteen editions in a few weeks, which not to admire is "pitoyable," and not to have read "quelque chose d'inouie."
The objects at Paris which have most struck me, have been those least vaunted.
The view of the city from the Pont des Arts, to-night, enchanted me. As every body who goes to Rome views the Coliseum by moonlight, so nobody should leave Paris without seeing the effect from the Pont des Arts, on a fine moonlight night:—
"Earth hath not any thing to show more fair."
It is singular I should have felt its influence at such a moment: it appears to me that those who, from feeling too strongly, have learnt to consider too deeply, become less sensible to the works of art, and more alive to nature. Are there not times when we turn with indifference from the finest picture or statue—the most improving book—the most amusing poem; and when the very commonest, and every-day beauties of nature, a soft evening, a lovely landscape, the moon riding in her glory through a clouded sky, without forcing or asking attention, sink into our hearts? They do not console—they sometimes add poignancy to pain; but still they have a power, and do not speak in vain: they become a part of us; and never are we so inclined to claim kindred with nature, as when sorrow has lent us her mournful experience. At the time I felt this (and how many have felt it as deeply, and expressed it better!) I did not think it, still less could I have said it; but I have pleasure in recording the past impression. "On rend mieux compte de ce qu'on a senti que de ce qu'on sent."
September 8.—Paris is crowded with English; and I do not wonder at it; it is, on the whole, a pleasant place to live in. I like Paris, though I shall quit it without regret as soon as I have strength to travel. Here the social arts are carried to perfection—above all, the art of conversation: every one talks much and talks well. In this multiplicity of words it must happen of course that a certain quantum of ideas is intermixed: and somehow or other, by dint of listening, talking, and looking about them, people do learn, and information to a certain point is general. Those who have knowledge are not shy of imparting it, and those who are ignorant take care not to seem so; but are sometimes agreeable, often amusing, and seldom bêtes. Nowhere have I seen unformed sheepish boys, nowhere the surliness, awkwardness, ungraciousness, and uneasy proud bashfulness, I have seen in the best companies in England. Our French friend Lucien has, at fifteen, the air and conversation of a finished gentleman; and our English friend C—— is at eighteen, the veriest log of a lumpish school-boy that ever entered a room. What I have seen of society, I like: the delicious climate too, the rich skies, the clear elastic atmosphere, the out of doors life the people lead, are all (in summer at least) delightful. There may be less comfort here; but nobody feels the want of it; and there is certainly more amusement—and amusement is here truly "le suprême bonheur." Happiness, according to the French meaning of the word, lies more on the surface of life: it is a sort of happiness which is cheap and ever at hand. This is the place to live in for the merry poor man, or the melancholy rich one: for those who have too much money, and those who have too little; for those who only wish, like the Irishman "to live all the days of their life,"—prendre en légère monnaie la somme des plaisirs: but to the thinking, the feeling, the domestic man, who only exists, enjoys, suffers through his affections—
"Who is retired as noontide dew,
Or fountain in a noonday grove—"
to such a one, Paris must be nothing better than a vast frippery shop, an ever-varying galantee show, an eternal vanity fair, a vortex of folly, a pandemonium of vice.
September 18.—Our imperials are packed, our passports signed, and we set off to-morrow for Geneva by Dijon and the Jura. I leave nothing behind me to regret, I see nothing before me to fear, and have no hope but in change; and now all that remains to be said of Paris, and all its wonders and all its vanities, all its glories and all its gaieties, are they not recorded in the ponderous chronicles of most veracious tourists, and what can I add thereto?
Geneva, Saturday Night, 11 o'clock.—Can it be the "blue rushing of the arrowy Rhone" I hear from my window? Shall I hear it to-morrow, when I wake? Have I seen, have I felt the reality of what I have so often imagined? and much, much more? How little do I feel the contretemps and privations which affect others—and feel them only because they affect others! To me they are nothing: I have in a few hours stored my mind with images of beauty and grandeur which will last through my whole existence.
Yet I know I am not singular; others have felt the same: others, who, capable of "drinking in the soul of things," have viewed nature less with their eyes than their hearts. Now I feel the value of my own enthusiasm; now am I repaid in part for many pains and sorrows and errors it has cost me. Though the natural expression of that enthusiasm be now repressed and restrained, and my spirits subdued by long illness, what but enthusiasm could elevate my mind to a level with the sublime objects round me, and excite me to pour out my whole heart in admiration as I do now! How deeply they have penetrated into my imagination!—Beautiful nature! If I could but infuse into you a portion of my own existence as you have become a part of mine—If I could but bid you reflect back my soul, as it reflects back all your magnificence, I would make you my only friend, and wish no other; content "to love earth only for its earthly sake."
I am so tired to-night, I can say nothing of the Jura, nor of the superb ascent of the mountain, to me so novel, so astonishing a scene; nor of the cheerful brilliance of the morning sun, illuminating the high cliffs, and throwing the deep woody vallies into the darkest shadow; nor of the far distant plains of France seen between the hills, and melting away into a soft vapoury light; nor of Morey, and its delicious strawberries and honey-comb; nor of that never-to-be-forgotten moment, when turning the corner of the road, as it wound round a cliff near the summit, we beheld the lake and city of Geneva spread at our feet, with its magnificent back-ground of the Italian Alps, peak beyond peak, snow-crowned! and Mont Blanc towering over all! No description had prepared me for this prospect; and the first impression was rapturous surprise; but by degrees the vastness and the huge gigantic features of the scene pressed like a weight upon "my amazed sprite," and the feeling of its immense extent fatigued my imagination till my spirits gave way in tears. Then came remembrances of those I ought to forget, blending with all I saw a deeper power—raising up emotions, long buried though not dead, to fright me with their resurrection. I was so glad to arrive here, and shall be so glad to sleep—even the dull sleep which laudanum brings me.
Oct. 1.—When next I submit (having the power to avoid it) to be crammed into a carriage and carried from place to place, whether I would or not, and be set down at the stated points de vue, while a detestable laquais points out what I am to admire, I shall deserve to endure again what I endured to-day. As there was no possibility of relief, I resigned myself to my fate, and was even amused by the absurdity of my own situation. We went to see the junction of the Arve and the Rhone: or rather to see the Arve pollute the rich, blue transparent Rhone, with its turbid waters. The day was heavy, and the clouds rolled in prodigious masses along the dark sides of the mountains, frequently hiding them from our view, and substituting for their graceful outlines and ever-varying contrast of tint and shade, an impenetrable veil of dark gray vapour.
3rd.—We took a boat and rowed on the lake for about two hours. Our boatman, a fine handsome athletic figure, was very talkative and intelligent. He had been in the service of Lord Byron, and was with him in that storm between La Meillerie and St. Gingough, which is described in the third
