in a sack, with my mouth full of flour that had gone mouldy and offended my nostrils; I had a sense of ignominy, and I was extremely angry; I could see that the old Don was in his dotage—but Carlos I was bitter against.
I was not really afraid; I could not suppose that the Riegos would allow me to be murdered or seriously maltreated. But I was incensed against Fate or Chance or whatever it is—on account of the ignominious details, the coarse sack, the mouldy flour, the stones of the tunnel that had barked my shins, the tightness of the ropes that bound my ankles together, and seemed to cut into my wrists behind my back.
I waited, and my fury grew in a dead silence. How would it end—with what outrage? I would show my contempt and preserve my dignity by submitting without a struggle—I despised this odious plot. At last there were voices, footsteps; I found it very hard to carry out my resolution and refrain from stifled cries and kicks. I was lifted up and carried, like a corpse, with many stumbles, by men who sometimes growled as they hastened along. From time to time somebody murmured, “Take care.” Then I was deposited into a boat. The world seemed to be swaying, splashing, jarring—and it became obvious to me that I was being taken to some ship. The Spanish ship, of course. Suddenly I broke into cold perspiration at the thought that, after all, their purpose might be to drop me quickly overboard. “Carlos!” I cried. I felt the point of a knife on my breast. “Silence, Señor!” said a gruff voice.
This fear vanished when we came alongside a ship evidently already under way; but I was handled so roughly and clumsily that I was thoroughly exhausted and out of breath, by the time I was got on board. All was still around me; I was left alone on a settee in the main cabin, as I imagined. For a long time I made no movement; then a door opened and shut. There was a murmured conversation between two voices. This went on in animated whispers for a time. At last I felt as if someone were trying, rather ineffectually, to remove the sack itself. Finally, that actually did rub its way over my head, and something soft and silken began to wipe my eyes with a surprising care, and even tenderness. “This was stupidly done,” came a discontented remark; “you do not handle a caballero like this.”
“And how else was it to be done, to that kind of caballero?” was the curt retort.
By that time I had blinked my eyes into a condition for remaining open for minute stretches. Two men were bending over me—Carlos and O'Brien himself. The latter said:
“Believe me, your mistake made this necessary. This young gentleman was about to become singularly inconvenient, and he is in no way harmed.”
He spoke in a velvety voice, and walked away gently through the darkness. Carlos followed with the lanthorn dangling at arm's length; strangely enough he had not even looked at me. I suppose he was ashamed, and I was too proud to speak to him, with my hands and feet tied fast. The door closed, and I remained sitting in the darkness. Long small windows grew into light at one end of the place, curved into an outline that suggested a deep recess. The figure of a crowned woman, that moved rigidly up and down, was silhouetted over my body. Groaning creaks of wood and the faint swish of water made themselves heard continuously.
I turned my head to a click, I saw a door open a little way, and the small blue flame of a taper floated into the room. Then the door closed with a definite sound of shutting in. The light shone redly through protecting fingers, and upwards on to a small face. It came to a halt, and I made out the figure of a girl leaning across a table and looking upwards. There was a click of glass, and then a great blaze of light created a host of shining things; a glitter of gilded carvings, red velvet couches, a shining table, a low ceiling, painted white, on carved rafters. A large silver lamp she had lighted kept on swinging to the gentle motion of the ship.
She stood just in front of me; the girl that I had seen through the door; the girl I had seen play with the melon seeds. She was breathing fast—it agitated me to be alone with her—and she had a little shining dagger in her hand.
She cut the rope round my ankles, and motioned me imperiously to turn round. “Your hands—your hands!”
I turned my back awkwardly to her, and felt the grip of small, cool, very firm fingers upon my wrists. My arms fell apart, numb and perfectly useless; I was half aware of pain in them, but it passed unnoticed among a cloud of other emotions. I didn't feel my finger-tips because I had the agitation, the flutter, the tantalization of looking at her.
I was all the while conscious of the—say, the irregularity of my position, but I felt very little fear. There were the old Don, an ineffectual, silver-haired old gentleman, who obviously was not a pirate; the sleek O'Brien, and Carlos, who seemed to cough on the edge of a grave—and this young girl. There was not any future that I could conceive, and the past seemed to be cut off from me by a narrow, very dark tunnel through which I could see nothing at all.
The young girl was, for the moment, what counted most on the whole, the only thing the eye could rest on. She affected me as an apparition familiar, yet absolutely new in her charm. I had seen her gray eyes; I had seen her red lips; her dark hair, her lithe gestures; the carriage of her head; her throat, her hands. I knew her; I seemed to have known her for years. A rush of strange, sweet feeling made me dumb. She was looking at me, her lips set, her eyes wide and still; and suddenly she said:
“Ask nothing. The land is not far yet. You can escape, Carlos thought. … But no! You would only perish for nothing. Go with God.” She pointed imperiously towards the square stern-ports of the cabin.
Following the direction of her hand, my eyes fell upon the image of a Madonna; rather large—perhaps a third life-size; with a gilt crown, a pink serious face bent a little forward over a pink naked child that perched on her left arm and raised one hand. It stood on a bracket, against the rudder casing, with fat cherubs' heads carved on the supports. The young girl crossed herself with a swift motion of the hand. The stern-ports, glazed in small panes, were black, and gleaming in a white frame-work.
“Go—go—go with God,” the girl whispered urgently. “There is a boat———”
I made a motion to rise; I wanted to go. The idea of having my liberty, of its being again a possibility, made her seem of less importance; other things began to have their share. But I could not stand, though the blood was returning, warm and tingling, in my legs and hands. She looked at me with a sharp frown puckering her brows a little; beat a hasty tattoo with one of her feet, and cast a startled glance towards the forward door that led on deck. Then she walked to the other side of the table, and sat looking at me in the glow of the lamp.
“Your life hangs on a thread,” she murmured.
I answered, “You have given it to me. Shall I never———?” I was acutely conscious of the imperfection of my language.
She looked at me sharply; then lowered her lids. Afterwards she raised them again. “Think of yourself. Every moment is———”
“I will be as quick as I can,” I said.
I was chafing my ankles and looking up at her. I wanted, very badly, to thank her for taking an interest in me, only I found it very difficult to speak to her. Suddenly she sprang to her feet:
“That man thinks he can destroy you. I hate him—I detest him! You have seen how he treats my father.”
It struck me, like a blow, that she was merely avenging O'Brien's insolence to her father. I had been kidnapped against Don Balthasar Riego's will. It gave me very well the measure of the old man's powerlessness in face of his intendant—who was obviously confident of afterwards soothing the resentment.
I was glad I had not thanked her for taking an
