FoSub vol. 8). Her next large‐scale projects concern receptions of the Homeric Odyssey in modern art, new media, and literature (together with Semjon Dreiling), Paul the Silentiary’s ekphrasis of the Hagia Sophia in Istanbul, and the Mole Antonelliana in Turin (together with C. Frateantonio).
Marco Dorati is a Research Associate in Greek Language and Literature at the University of Urbino “Carlo Bo.” His main interests are Greek historiography and Greek theater, as well as narratology and literary theory. He is the author of Le Storie di Erodoto: etnografia e racconto (Pisa‐Rome, Istituti Editoriali e Poligrafici Internazionali, 2000) and Finestre sul futuro: fato, profezia e mondi possibili nel plot dell’Edipo Re di Sofocle (Pisa and Rome, Fabrizio Serra Editore, 2015).
Kerstin Droß‐Krüpe is currently working as an Academic Assistant at postdoctoral level at Kassel University. She studied Classical Archaeology, Ancient History, and Business Administration at Philipps‐University Marburg. From 2006 to 2013 she was an Academic Assistant at the Department of Ancient History at Philipps‐University Marburg. She gained her PhD in 2010 with a thesis about textile production in the Roman province of Egypt, which was published as Wolle—Weber—Wirtschaft: Die Textilproduktion der römischen Kaiserzeit im Spiegel der papyrologischen Überlieferung (Wiesbaden: Harrassowitz 2011). Her main research interests are ancient economic history, ancient textiles studies, and the reception of antiquity.
Esther Eidinow is Professor of Ancient History at the University of Bristol. She has particular interest in ancient Greek religion and magic, and her publications include Oracles, Curses, and Risk among the Ancient Greeks (2007) and Luck, Fate and Fortune: Antiquity and its Legacy (2010). Her latest monograph, published with Oxford University Press, is Envy, Poison, and Death: Women on Trial in Classical Athens (2016).
Anthony Ellis is a Leverhulme Scholar at University of Bern. His research focuses on religion and theology in classical Greek historiography and the encounter between Greek and Hebrew thought in the Septuagint and Josephus. He is currently writing a book on divine and d(a)emonic envy, jealousy, and begrudgery in Greek, Hebrew, and Christian thought. Recent publications discuss the rewriting of the Croesus logos in Xenophon’s Cyropaedia (JHS 136 (2016): 73–91), proverbs in the dialogue between Solon and Croesus (BICS 58.2 (2015): 83–106), and notions of truth employed by the narrator of the Histories (in Truth and History in the Ancient World: Pluralizing the Past, edited by L. Hau and I. Ruffell (Routledge, 2016: 104–29)).
Johannes Engels is apl. Professor of Ancient History at the University of Cologne (Universität zu Köln) and currently also lecturing at the University of Bonn. He specializes inter alia in the study of historical and biographical works of ancient Greece and Rome, ancient geography, ancient rhetoric, and Greek history of the classical and Hellenistic periods.
Christopher Erlinger completed his PhD at The Ohio State University in 2016. He is currently working on a monograph based on his dissertation, Eunuchs in Greco‐Roman Literature, and an article on Herodotus’ depiction of the Phoenicians. He specializes in ancient gender studies and Greek ethnography.
Adam Foley is a classicist and historian whose interests span the classical tradition, including Greek epic and lyric poetry, translation and reception studies, the history of Platonism, and the history of historiography. Trained in Classics, he completed his PhD in the Department of History at the University of Notre Dame where he wrote his dissertation on the first Latin translations of Homer in the Italian Renaissance. He lived for two years in Rome (2015–17), where he spent one year as a fellow at the American Academy in Rome, and recently finished a postdoctoral fellowship in the Department of Classical Studies at the University of Pennsylvania (2017–2018).
Margaret Foster is Associate Professor of Classical Studies at Indiana University, Bloomington. Her research focuses on Greek lyric poetry and archaic and classical cultural history. She is the author of The Seer and the City: Religion, Politics, and Colonial Ideology in Ancient Greece (University of California Press, 2018). A second monograph project considers the politics and polemics of genre hybridity in classical lyric poetry.
Robert L. Fowler FBA is H. O. Wills Professor of Greek (Emeritus) at the University of Bristol. He has worked on Greek epic and lyric poetry as well as historiography, mythography, religion, and the history of classical scholarship. His publications include The Cambridge Companion to Homer (ed., Cambridge 2004), and the two volumes of Early Greek Mythography (Oxford 2000–13), which collect and comment on the fragments of the first twenty‐nine Greek mythographers.
Florencia Foxley is a PhD candidate at the University of Colorado at Boulder. She previously studied Classics at the University of Notre Dame and Haverford College. Her research centers on Greek poetry, especially the representation of women, children, and the domestic sphere in Greek tragedy. Her dissertation explores the relationship between childbirth and wedding rituals in Euripidean tragedy.
Maria Fragoulaki is a Lecturer in Ancient Greek History at Cardiff University. She specializes in Greek historiography, especially Thucydides and Herodotus, Greek ethnicity, cultural politics, and the interaction between history and literature. She is the author of Kinship in Thucydides: Intercommunal Ties and Historical Narrative (Oxford University Press, 2013) and co‐editor of Shaping Memory: Ancient Greek Historiography, Poetry, and Epigraphy (Histos Supplement, forthcoming). She is writing a monograph on the literary and cultural interaction between Thucydides and Homer.
Susanne Froehlich (née Pilhofer) received her doctorate in 2011 from the Universities of Freiburg and Strasbourg, on Handlungsmotive bei Herodot (Stuttgart: Franz Steiner, 2013). After holding a lectureship at the University of Giessen from 2012 to 2017, she transferred to the University of Greifswald where she has sole responsibility for the Ancient History Section. Her scholarly work centers on Greek historiography, Roman Asia Minor, mobility in antiquity, and Greek and Latin epigraphy. Her current research project envisages a cultural history of the Roman city gate.
Peter Funke is Senior Professor at the Cluster of Excellence “Religion and Politics in Pre‐Modern and Modern Cultures” as well as at the Institute for Ancient History and the Institute for Epigraphy at Westfälische Wilhelms‐Universität in Münster. He is Project Manager of “Inscriptiones Graecae” of the Berlin‐Brandenburg Academy of Sciences and Humanities. He is the author of some 170 articles, two books, and eleven edited books, including The Politics of Ethnicity and the Crisis of the Peloponnesian League (2009), Greek Federal States and Their Sanctuaries. Identity and Integration (2013), Federalism in Greek Antiquity (2015), and Part 1 of Collezioni epigrafiche della Grecia occidentale / Epigraphische Sammlungen aus Westgriechenland (2018).
Mark B. Garrison holds the Alice Pratt Brown Distinguished Professorship in Art History in the Department of Art and Art History at Trinity University in San Antonio, Texas, USA. His primary research interests are the glyptic arts of ancient Iran and Iraq in the first half of the first millennium BCE.
Coulter H. George is Professor of Classics at the University of Virginia. He is the author of Expressions of Time in Ancient Greek (Cambridge University Press, 2014), and his research interests include the syntax and semantics of the Greek verb, particles and prepositional phrases, and contact phenomena between Greek and the other languages of the ancient Mediterranean. He is currently working on a linguistic history of Greek prose style.
Maurizio Giangiulio is a Full Professor of Greek History at the University of Trento (Italy). He has worked on the history of the Western Greeks, on Pythagoreanism, and on archaic social memory. His publications include “Constructing the Past” in Nino Luraghi
