seem in good plight, the soul was already alarmingly compromised. The body, at any rate was well clothed, and ten crowns or more made a merry jingling in his waistcoat pocket; and so dressed, and so accompanied by this silvery music, Thibault no longer appeared like a wooden shoe-maker’s apprentice, but like some well-to-do farmer, or even a comfortable citizen, carrying on a trade maybe, but simply for his own pleasure. Looking such as he now did, Thibault went to one of those village functions, which are fête-days for the whole province. The magnificent ponds of Berval and Poudron were to be drawn. Now the drawing of a pond is a grand affair for the owner, or for the one who farms it, not to mention the great pleasure it affords to the spectators. Such an event therefore is advertised a month in advance, and people come from thirty miles round to enjoy this fine entertainment. And to those of my readers who are not accustomed to the manners and customs of the provinces, let me explain that the fishing which takes place is not a fishing with the line, baited with worms, or scented wheat, or with the cast-net, or the sweep-net, nothing of the kind; this fishing consists in emptying a pond, sometimes nearly a mile, or even three miles long, of every fish from the largest pike to the smallest minnow. This is how the thing is managed. In all probability, not a single one of my readers has ever seen the kind of pond to which I refer. I will describe it; to begin with, it always has two issues, that by which the water flows in, that by which the water flows out; that by which the water enters has no particular name, that by which it is let out is called the sluice. The water as it leaves the sluice falls into a large reservoir whence it escapes through the meshes of a strong net; the water flows away, but the fish remain. Everyone knows that it takes several days to empty a pond, therefore those who wish to take a share in the fishing, and the onlookers, are not summoned to attend before the second, third, or fourth day, according to the volume of water which the pond has to disgorge before it is ready for the final act, and this takes place as soon as the fish appear at the sluice.
At the hour announced for the fishing, a crowd assembles, varying in number according to the size and the celebrity of the pond, but comparatively as large and as fashionable as that to be seen at the Champ de Mars or Chantilly on race days when favourite horses are to run and favourite jockeys to ride. Only here the spectators do not look on from grand stands and carriages; on the contrary, they come as they can, or as they like, in gigs, pleasure vans, phaëtons, carts, on horse-back, on donkey-back, but once on the spot everyone rushes to find a place, stationing him or herself either in order of arrival, or according to the amount of elbowing and pushing of which each is capable, always, however, with that due respect for authority which is observed even in the least civilised districts. A sort of stout trellis-work, however, firmly sunk into the ground, prevents the onlookers from falling into the reservoir.
The colour and the smell of the water betoken the arrival of the fish. Every kind of show has its drawbacks: the larger and grander the audience at the opera house, the more carbonic acid is there to draw into the lungs; at the drawing of a pond, the nearer the supreme moment approaches, the more marsh-gas is there to inhale.
When the sluice is first opened, the water that pours through is beautifully clear, and slightly green in colour, like the water of a brook; this is the upper layer, which, carried along by its weight, is the first to appear. By degrees the water becomes less transparent, and takes on a greyish hue; this is the second layer, emptying itself in turn, and every now and then, more frequently as the water becomes muddier, a ray of silver is seen to dart through it; it is some fish, too small and weak to resist the current, which flashes past as if acting as scout for its stronger brethren. Nobody troubles to pick it up; it is allowed to lie gasping, and trying to find some little stagnant puddle of water at the bottom of the pond, flapping, floundering and capering like an acrobat going through his antics.
Then the black water comes pouring through; this is the last act, the final catastrophe.
Each fish, according to its power of resistance, struggles against the current which is bearing it along in this unusual manner. Instinctively they feel there is danger, and each strives its hardest to swim in an opposite direction; the pike struggles beside the carp which it was yesterday pursuing so hard; the perch is reconciled to the tench, and as they swim side by side, does not so much as think of taking a bite out of the flesh he finds so palatable at other times. So the Arabs at times find huddled together in the pits they dig to catch game, gazelles and jackals, antelopes and hyenas, the jackals and hyenas having grown as gentle and as timid as the gazelles and antelopes.
But the strength of the struggling and dying fish begins at last to fail. The scouts that we noticed a few minutes ago become more numerous; the size of the fish becomes more respectable, which is proved to them by the attention they receive from the pickers-up. These pickers-up are men, clad in plain linen trousers and cotton shirts; the trousers are rolled up to above the knee, and the shirt sleeves turned up to the shoulders. The fish are gathered up in baskets; those destined to be sold alive, or kept for re-stocking the pond, are poured off into tanks; those condemned to death are simply spread out on the grass, and will be sold before the day is out. As the fish grow more and more abundant the cries of delight from the spectators become louder and more frequent; for these onlookers are not like the audiences in our theatres; they have no idea of stifling their feelings, or showing good taste by appearing indifferent. No, they come to amuse themselves, and every fine tench, or fine carp, or fine pike, calls forth loud, undisguised and delighted applause. As in a well-ordered review, the troops file past in order, according to their weight, if we may use the expression, first the fight sharp-shooters, then the somewhat heavier dragoons, and finally the ponderous cuirassiers and heavy artillery to bring up the rear, so the fish sweep by according to their several species; the smallest, that is the weakest, first, the heaviest, that is the strongest, last.
At last the moment comes when the water ceases to flow; the passage is literally obstructed by the remainder of the fish, the big-wigs of the pond, and the pickers-up have veritable monsters to fight with. This is the supreme moment. Now comes the climax of applause, the last vociferous bravos. Then, the play being over, everyone goes to examine the actors; the latter are mostly lying gasping to death on the grass of the field, while a certain number are recovering themselves in the water. You look about for the eels; where are the eels you ask? Then three or four eels, about as big round as your thumb and half the length of your arm, are pointed out to you; for the eels, thanks to their peculiar organization, have momentarily at least, escaped the general carnage. The eels have taken a header into the mud and disappeared; and this is the reason why you may see men with guns walking up and down at the edge of the pond, and hear a report from time to time. If you ask the reason for this shooting, you will be told that it is to bring the eels out of their hiding-places. But why do eels come out of the mud when they hear the report of a gun? Why do they make for the water which still runs in little rivulets at the bottom of the pond? Why, in short, being safe at the bottom of the mud, like other good friends of our acquaintance who have the good sense to remain there, do the eels not stay there, instead of wriggling back into a stream of water, which carries them along with it, and finally lands them in the reservoir, that is in the common grave? The Collège de France would find nothing easier than to answer this question, under existing circumstances; so I put this question to its learned members: Is not the idea of the gun a pure superstition, and is not the following solution the right and simple one? The mud in which the eel takes refuge is at first liquid, but gradually becomes drier and drier, like a sponge when squeezed, and so becomes more and more uninhabitable for it, and so, in the long run, it is obliged to get back to its natural element—the water. The water once reached, the eel is lost; but it is not till the fifth or sixth day after the emptying of the pond, that the eels are caught.
It was to a fête of this kind that everyone at Villers-Cotterets, at Crespy, at Mont-Gobert, and in the surrounding villages had been invited. Thibault went like everybody else; he had now no need to work, finding it simpler to allow the wolves to work for him. From a workman he had risen to be a man at ease, it now only remained to make himself a gentleman, and Thibault counted upon being able to do this. He was not a man to allow himself to remain in the rear, and he therefore made good use of his arms and legs so as to secure a place in the front row. In the course of this manœuvre he happened to rumple the
