The Tales of Haunted Nights (Gothic Horror: Bulwer-Lytton-Series). Эдвард Бульвер-Литтон
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“This is madness,” said Mervale; “your health is already failing; you are so changed I should scarcely know you. Come; I have already had your name entered in my passport; in another hour I shall be gone, and you, boy that you are, will be left, without a friend, to the deceits of your own fancy and the machinations of this relentless mountebank.”
“Enough,” said Glyndon, coldly; “you cease to be an effective counsellor when you suffer your prejudices to be thus evident. I have already had ample proof,” added the Englishman, and his pale cheek grew more pale, “of the power of this man—if man he be, which I sometimes doubt—and, come life, come death, I will not shrink from the paths that allure me. Farewell, Mervale; if we never meet again—if you hear, amidst our old and cheerful haunts, that Clarence Glyndon sleeps the last sleep by the shores of Naples, or amidst yon distant hills, say to the friends of our youth, ‘He died worthily, as thousands of martyr-students have died before him, in the pursuit of knowledge.’ ”
He wrung Mervale’s hand as he spoke, darted from his side, and disappeared amidst the crowd.
By the corner of the Toledo he was arrested by Nicot.
“Ah, Glyndon! I have not seen you this month. Where have you hid yourself? Have you been absorbed in your studies?”
“Yes.”
“I am about to leave Naples for Paris. Will you accompany me? Talent of all order is eagerly sought for there, and will be sure to rise.”
“I thank you; I have other schemes for the present.”
“So laconic!—what ails you? Do you grieve for the loss of the Pisani? Take example by me. I have already consoled myself with Bianca Sacchini—a handsome woman, enlightened, no prejudices. A valuable creature I shall find her, no doubt. But as for this Zanoni!”
“What of him?”
“If ever I paint an allegorical subject, I will take his likeness as Satan. Ha, ha! a true painter’s revenge—eh? And the way of the world, too! When we can do nothing else against a man whom we hate, we can at least paint his effigies as the Devil’s. Seriously, though: I abhor that man.”
“Wherefore?’
“Wherefore! Has he not carried off the wife and the dowry I had marked for myself! Yet, after all,” added Nicot, musingly, “had he served instead of injured me, I should have hated him all the same. His very form, and his very face, made me at once envy and detest him. I felt that there is something antipathetic in our natures. I feel, too, that we shall meet again, when Jean Nicot’s hate may be less impotent. We, too, cher confrere—we, too, may meet again! Vive la Republique! I to my new world!”
“And I to mine. Farewell!”
That day Mervale left Naples; the next morning Glyndon also quitted the City of Delight alone, and on horseback. He bent his way into those picturesque but dangerous parts of the country which at that time were infested by banditti, and which few travellers dared to pass, even in broad daylight, without a strong escort. A road more lonely cannot well be conceived than that on which the hoofs of his steed, striking upon the fragments of rock that encumbered the neglected way, woke a dull and melancholy echo. Large tracts of waste land, varied by the rank and profuse foliage of the South, lay before him; occasionally a wild goat peeped down from some rocky crag, or the discordant cry of a bird of prey, startled in its sombre haunt, was heard above the hills. These were the only signs of life; not a human being was met—not a hut was visible. Wrapped in his own ardent and solemn thoughts, the young man continued his way, till the sun had spent its noonday heat, and a breeze that announced the approach of eve sprung up from the unseen ocean which lay far distant to his right. It was then that a turn in the road brought before him one of those long, desolate, gloomy villages which are found in the interior of the Neapolitan dominions: and now he came upon a small chapel on one side the road, with a gaudily painted image of the Virgin in the open shrine. Around this spot, which, in the heart of a Christian land, retained the vestige of the old idolatry (for just such were the chapels that in the pagan age were dedicated to the demon-saints of mythology), gathered six or seven miserable and squalid wretches, whom the curse of the leper had cut off from mankind. They set up a shrill cry as they turned their ghastly visages towards the horseman; and, without stirring from the spot, stretched out their gaunt arms, and implored charity in the name of the Merciful Mother! Glyndon hastily threw them some small coins, and, turning away his face, clapped spurs to his horse, and relaxed not his speed till he entered the village. On either side the narrow and miry street, fierce and haggard forms—some leaning against the ruined walls of blackened huts, some seated at the threshold, some lying at full length in the mud—presented groups that at once invoked pity and aroused alarm: pity for their squalor, alarm for the ferocity imprinted on their savage aspects. They gazed at him, grim and sullen, as he rode slowly up the rugged street; sometimes whispering significantly to each other, but without attempting to stop his way. Even the children hushed their babble, and ragged urchins, devouring him with sparkling eyes, muttered to their mothers; “We shall feast well to-morrow!” It was, indeed, one of those hamlets in which Law sets not its sober step, in which Violence and Murder house secure—hamlets common then in the wilder parts of Italy, in which the peasant was but the gentler name for the robber.
Glyndon’s heart somewhat failed him as he looked around, and the question he desired to ask died upon his lips. At length from one of the dismal cabins emerged a form superior to the rest. Instead of the patched and ragged over-all, which made the only garment of the men he had hitherto seen, the dress of this person was characterised by all the trappings of the national bravery. Upon his raven hair, the glossy curls of which made a notable contrast to the matted and elfin locks of the savages around, was placed a cloth cap, with a gold tassel that hung down to his shoulder; his mustaches were trimmed with care, and a silk kerchief of gay hues was twisted round a well-shaped but sinewy throat; a short jacket of rough cloth was decorated with several rows of gilt filagree buttons; his nether garments fitted tight to his limbs, and were curiously braided; while in a broad parti-coloured sash were placed two silver-hilted pistols, and the sheathed knife, usually worn by Italians of the lower order, mounted in ivory elaborately carved. A small carbine of handsome workmanship was slung across his shoulder and completed his costume. The man himself was of middle size, athletic yet slender, with straight and regular features, sunburnt, but not swarthy; and an expression of countenance which, though reckless and bold, had in it frankness rather than ferocity, and, if defying, was not altogether unprepossessing.
Glyndon, after eyeing this figure for some moments with great attention, checked his rein, and asked the way to the “Castle of the Mountain.”
The man lifted his cap as he heard the question, and, approaching Glyndon, laid his hand upon the neck of the horse, and said, in a low voice, “Then you are the cavalier whom our patron the signor expected. He bade me wait for you here, and lead you to the castle. And indeed, signor, it might have been unfortunate if I had neglected to obey the command.”
The man then, drawing a little aside, called out to the bystanders in a loud voice, “Ho, ho! my friends, pay henceforth and forever all respect to this worshipful cavalier. He is the expected guest of our blessed patron of the Castle of the Mountain. Long life to him! May he, like his host, be safe by day and by night; on the hill and in the waste; against the dagger and the bullet—in limb and in life! Cursed be he who touches a hair of his head, or a baioccho in his pouch. Now and forever we will protect and honour him—for the law or against the law; with the faith and to the death. Amen! Amen!”
“Amen!” responded, in wild chorus, a hundred voices; and the scattered and straggling groups pressed up the street, nearer and nearer to the horseman.
“And