mortal cold struck to the Englishman’s heart, and his blood froze. He stood rooted to the spot; and as his eyes strained involuntarily through the vapour, he fancied (for he could not be sure that it was not the trick of his imagination) that he saw dim, spectre-like, but gigantic forms floating through the mist; or was it not rather the mist itself that formed its vapours fantastically into those moving, impalpable, and bodiless apparitions? A great painter of antiquity is said, in a picture of Hades, to have represented the monsters that glide through the ghostly River of the Dead, so artfully, that the eye perceived at once that the river itself was but a spectre, and the bloodless things that tenanted it had no life, their forms blending with the dead waters till, as the eye continued to gaze, it ceased to discern them from the preternatural element they were supposed to inhabit. Such were the moving outlines that coiled and floated through the mist; but before Glyndon had even drawn breath in this atmosphere—for his life itself seemed arrested or changed into a kind of horrid trance—he felt his hand seized, and he was led from that room into the outer one. He heard the door close—his blood rushed again through his veins, and he saw Mejnour by his side. Strong convulsions then suddenly seized his whole frame—he fell to the ground insensible. When he recovered, he found himself in the open air in a rude balcony of stone that jutted from the chamber, the stars shining serenely over the dark abyss below, and resting calmly upon the face of the mystic, who stood beside him with folded arms.
“Young man,” said Mejnour, “judge by what you have just felt, how dangerous it is to seek knowledge until prepared to receive it. Another moment in the air of that chamber and you had been a corpse.”
“Then of what nature was the knowledge that you, once mortal like myself, could safely have sought in that icy atmosphere, which it was death for me to breathe? Mejnour,” continued Glyndon, and his wild desire, sharpened by the very danger he had passed, once more animated and nerved him, “I am prepared at least for the first steps. I come to you as of old the pupil to the Hierophant, and demand the initiation.”
Mejnour passed his hand over the young man’s heart—it beat loud, regularly, and boldly. He looked at him with something almost like admiration in his passionless and frigid features, and muttered, half to himself, “Surely, in so much courage the true disciple is found at last.” Then, speaking aloud, he added, “Be it so; man’s first initiation is in trance. In dreams commences all human knowledge; in dreams hovers over measureless space the first faint bridge between spirit and spirit—this world and the worlds beyond! Look steadfastly on yonder star!”
Glyndon obeyed, and Mejnour retired into the chamber, from which there then slowly emerged a vapour, somewhat paler and of fainter odour than that which had nearly produced so fatal an effect on his frame. This, on the contrary, as it coiled around him, and then melted in thin spires into the air, breathed a refreshing and healthful fragrance. He still kept his eyes on the star, and the star seemed gradually to fix and command his gaze. A sort of languor next seized his frame, but without, as he thought, communicating itself to the mind; and as this crept over him, he felt his temples sprinkled with some volatile and fiery essence. At the same moment a slight tremor shook his limbs and thrilled through his veins. The languor increased, still he kept his gaze upon the star, and now its luminous circumference seemed to expand and dilate. It became gradually softer and clearer in its light; spreading wider and broader, it diffused all space—all space seemed swallowed up in it. And at last, in the midst of a silver shining atmosphere, he felt as if something burst within his brain—as if a strong chain were broken; and at that moment a sense of heavenly liberty, of unutterable delight, of freedom from the body, of birdlike lightness, seemed to float him into the space itself. “Whom, now upon earth, dost thou wish to see?” whispered the voice of Mejnour. “Viola and Zanoni!” answered Glyndon, in his heart; but he felt that his lips moved not.
Suddenly at that thought—through this space, in which nothing save one mellow translucent light had been discernible—a swift succession of shadowy landscapes seemed to roll: trees, mountains, cities, seas, glided along like the changes of a phantasmagoria; and at last, settled and stationary, he saw a cave by the gradual marge of an ocean shore—myrtles and orange-trees clothing the gentle banks. On a height, at a distance, gleamed the white but shattered relics of some ruined heathen edifice; and the moon, in calm splendour, shining over all, literally bathed with its light two forms without the cave, at whose feet the blue waters crept, and he thought that he even heard them murmur. He recognised both the figures. Zanoni was seated on a fragment of stone; Viola, half-reclining by his side, was looking into his face, which was bent down to her, and in her countenance was the expression of that perfect happiness which belongs to perfect love. “Wouldst thou hear them speak?” whispered Mejnour; and again, without sound, Glyndon inly answered, “Yes!” Their voices then came to his ear, but in tones that seemed to him strange; so subdued were they, and sounding, as it were, so far off, that they were as voices heard in the visions of some holier men from a distant sphere.
“And how is it,” said Viola, “that thou canst find pleasure in listening to the ignorant?”
“Because the heart is never ignorant; because the mysteries of the feelings are as full of wonder as those of the intellect. If at times thou canst not comprehend the language of my thoughts, at times also I hear sweet enigmas in that of thy emotions.”
“Ah, say not so!” said Viola, winding her arm tenderly round his neck, and under that heavenly light her face seemed lovelier for its blushes. “For the enigmas are but love’s common language, and love should solve them. Till I knew thee—till I lived with thee; till I learned to watch for thy footstep when absent: yet even in absence to see thee everywhere!—I dreamed not how strong and all-pervading is the connection between nature and the human soul! …
“And yet,” she continued, “I am now assured of what I at first believed—that the feelings which attracted me towards thee at first were not those of love. I know THAT, by comparing the present with the past—it was a sentiment then wholly of the mind or the spirit! I could not hear thee now say, ‘Viola, be happy with another!’ ”
“And I could not now tell thee so! Ah, Viola, never be weary of assuring me that thou art happy!”
“Happy while thou art so. Yet at times, Zanoni, thou art so sad!”
“Because human life is so short; because we must part at last; because yon moon shines on when the nightingale sings to it no more! A little while, and thine eyes will grow dim, and thy beauty haggard, and these locks that I toy with now will be grey and loveless.”
“And thou, cruel one!” said Viola, touchingly, “I shall never see the signs of age in thee! But shall we not grow old together, and our eyes be accustomed to a change which the heart shall not share!”
Zanoni sighed. He turned away, and seemed to commune with himself.
Glyndon’s attention grew yet more earnest.
“But were it so,” muttered Zanoni; and then looking steadfastly at Viola, he said, with a half-smile, “Hast thou no curiosity to learn more of the lover thou once couldst believe the agent of the Evil One?”
“None; all that one wishes to know of the beloved one, I know—That thou lovest me!”
“I have told thee that my life is apart from others. Wouldst thou not seek to share it?”
“I share it now!”
“But were it possible to be thus young and fair forever, till the world blazes round us as one funeral pyre!”
“We shall be so, when we leave the world!”
Zanoni was mute for some moments, and at length he said—
“Canst
