The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends". Charles G. Harper
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The élite of the old county families round, Such as Honeywood, Oxenden, Knatchbull and Norton, Matthew Robinson, too, with his beard, from Monk's Horton, The Faggs, and Finch-Hattons, Tokes, Derings, and Deedses, And Fairfax (who then called the castle of Leeds his).
He was, in fact, "armigerous", as heralds would say, and the arms of his family were—not those lioncels of the Shurlands impaled with the saltire of the Ingoldsbys, of which we may read in the Legends—but as pictured here. It may be noted that another Barham family—the Barhams of Teston, near Maidstone—bore the three bears for arms, without the distinguishing fesse; and that they are shown thus on an old brass plate in Ashford church, which Ingoldsby must often have seen during his early curacy there.
THE BARHAM COAT-OF-ARMS.
When, however, he talks of the escutcheons displayed in the great hall of Tappington, charged with the armorial bearings of the family and its connections, he does more than to picturesquely embroider facts. He invents them, and the "old coat" "in which a chevron between three eagles' cuisses sable is blazoned quarterly with the engrailed saltire of the Ingoldsbys"—which Mr. Simpkinson found to be that of "Sir Ingoldsby Bray, temp. Richard I."—is one not known to the Heralds' College.
Behind that farcical "Mr. Simpkinson, from Bath," lurks a real person, and one not unknown to those who have read Britton and Brayley books on Cathedral antiquities. John Britton, the original of Simpkinson, was, equally with his contemporary Barham, an antiquary and genealogist of accomplishment, and a herald of repute. Barham would not have allowed as much, for there was, it would seem, a certain amount of ill-feeling between the two, which resulted in the satirical passages relating to "Mr. Simpkinson" to be met with in the pages of the Ingoldsby Legends. They tell us that he was, among other things, "an influential member of the Antiquarian Society, to whose 'Beauties of Bagnigge Wells' he had been a liberal subscriber"; and that "his inaugural essay on the President's cocked-hat was considered a miracle of erudition; and his account of the earliest application of gilding to gingerbread a masterpiece of antiquarian research." In all this one finds something of that rapier-thrust of satire, that mordant wit which comes of personal rivalry; and the heartfelt scorn of a man who loved architecture, and was, indeed, a member of the first Archæological Institute, but who whole-heartedly resented the introduction of picnic parties into archæological excursions, and revolted at popularising architecture and antiquarian research by brake parties, in which the popping of champagne corks punctuated the remarks of speakers holding forth on the architectural features of buildings in a style sufficiently picturesque and simple to hold the attention of the ladies. Those who have found how unconquerable is the indifference of the public to these things will appreciate to the fullest extent the feelings of Tom Ingoldsby, while yet reserving some meed of admiration for John Britton's labours, which did much to advance the slow-growing knowledge of Gothic architecture in the first half of the century. His work may halt somewhat, his architectural knowledge be something piecemeal and uninformed with inner light; but by his labours many others were led to pursue the study of ecclesiastical art.
But the humour with which Barham surrounded "Mr. Simpkinson's" doings took no count of his accomplishments, as may be seen in the excursion to "Bolsover Priory", narrated in "The Spectre of Tappington". "Bolsover Priory", said Mr. Simpkinson, "was founded in the reign of Henry VI. about the beginning of the eleventh century. Hugh de Bolsover had accompanied that monarch to the Holy Land, in the expedition undertaken by way of penance for the murder of his young nephews in the Tower. Upon the dissolution of the monasteries, the veteran was enfeoffed in the lands and manor, to which he gave his own name of Bolsover, or Bee-Owls-Over (by corruption Bolsover)—a Bee in chief over Three Owls, all proper, being the armorial ensigns borne by this distinguished crusader at the siege of Acre."
Thus far Simpkinson. Now Barham turns, with good effect, on the ignorant sightseers to whom ruins are just a curiosity and nothing more.
"'Ah! that was Sir Sidney Smith,' said Mr. Peters; 'I've heard tell of him, and all about Mrs. Partington, and—'
"'P., be quiet, and don't expose yourself!' sharply interrupted his lady. P. was silenced, and betook himself to the bottled stout.
"'These lands,' continued the antiquary, 'were held in grand sergeantry by the presentation of three white owls and a pot of honey——'
"'Lassy me! how nice!' said Miss Julia. Mr. Peters licked his lips.
"'Pray give me leave, my dear—owls and honey, whenever the king should come a-rat-catching in this part of the country.'
"'Rat-catching!' ejaculated the Squire, pausing abruptly in the mastication of a drum-stick.
"'To be sure, my dear sir; don't you remember that rats once came under the forest laws—a minor species of venison? "Rats and mice, and such small deer," eh?—Shakespeare, you know. Our ancestors ate rats; and owls, you know, are capital mousers——'
"'I seen a howl,' said Mr. Peters."
"Bolsover Priory" is one of those few places mentioned by Ingoldsby that have not been identified with any real place in Kent. It might have been taken to mean the ruins of the Preceptory at Swingfield Minnis, some two miles from Tappington, had not Barham expressly said, in his prefatory notes to the "Witches' Frolic," that they were not the same.
ST. PAUL'S CHURCHYARD, DEMOLISHED 1901.
The literary landmarks associated with Barham's residence in London are readily traced. On leaving Kent in 1821 to take up his residence in London, he, for a time, rented the upper part of the house, still standing, No. 51, Great Queen Street, Holborn. There his eldest surviving daughter, Caroline Frances Barham, afterwards Lady Bond, was born, July 22nd, 1823. In 1824, following his appointment to the rectorship of St. Mary Magdalene, the family removed to a house numbered "4" on the south side of St. Paul's churchyard, and there remained until 1839, when an exchange was made to a house in Amen Corner, Paternoster Row—the first house through the gateway—by arrangement with Sydney Smith, who was leaving it to reside in Green Street, Mayfair.
He describes the garden at the back of this house as "containing three polyanthus roots, a real tree, a brown box border, a snuff-coloured jessamine, a shrub which is either a dwarf acacia or an overgrown gooseberry bush, eight broken bottles, and a tortoise-shell tom-cat asleep in the sunniest corner, with a wide and extensive prospect of the back of the 'Oxford Arms,' and a fine hanging wood (the 'new drop' at Newgate) in the distance."
AMEN CORNER, WHERE BARHAM DIED.
But the sprightly wit, the sound common-sense, the good-natured satire, were doomed to early extinction. It was in the prime of life, and when he might well have looked forward to further consolidating and extending the fame his genius had already brought, that the blow fell which laid him low. He had already, some twenty years earlier, suffered some slight temporary trouble with a sensitive throat, and although in general a robust man, was in that respect peculiarly liable to the weather. It happened, unfortunately, that he was present as a spectator