Queen of the new Royal Exchange, October 28th, 1844. It was a bleak day, and, sitting at an open window in Cheapside placed at his disposal by a friend, he caught a chill from whose effects he never recovered. The evil was a stubborn inflammation of the throat, which clung to him throughout the winter, and by degrees reduced the strong man to an alarmingly weak condition. In the February of 1845 he was induced to visit Bath, in the hope of recovery in that mild atmosphere, but an imprudent return to London in the treacherous month of March, in order to attend a meeting of the Archæological Association, aggravated the malady. Still, that strong physique struggled against illness, and he once more partly recovered, only to be again laid low by a cold caught at an April vestry meeting in St. Paul's. It was, however, not merely an exaggerated susceptibility to cold that by this time dogged his every excursion into the open air, but the grossly mistaken treatment of his medical man, who had inflamed the malady by applying caustic to the uvula. At the beginning of May, although reduced almost to the condition of a helpless child by his sufferings, he was taken again to the west; this time to Clifton, near Bristol. Unhappily, the local practitioner who was called in to attend him was by no means a properly qualified man, and on hearing of the mistaken treatment already followed, could think of nothing better than to continue it. It is not remarkable, under the circumstances, that he experienced no relief from the climate of Clifton, but grew steadily weaker. It was a sad time, for his wife was simultaneously laid low with illness. Everything devolved upon his daughter, Frances, then only in her twentieth year, for his son Dick was away in Cambridgeshire, doing duty as a clergyman.
RUINS OF ST. MARY MAGDALENE, OLD FISH STREET HILL, CITY OF LONDON, AFTER THE FIRE OF DECEMBER 1886.
The dying man—for the truth could be no longer disguised—kept a spirit of the supremest cheerfulness and Christian courage. His humorous verses on the incidents of his distressing illness—originally composed as replies to the inquiries of anxious friends and afterwards published in the collection of Ingoldsby Lyrics as "The Bulletin," are no whit inferior to the productions of his careless health.
When recovery at Clifton seemed hopeless, he was removed again to London, to the house he had occupied for the last six years, and made a grim joke as they assisted him into the house, on the appropriateness of his being brought at that juncture to Amen Corner. A few days he lay there, life ebbing away from sheer weakness; his mind still clear, and divided between making the most careful disposition of his property and fond memories of that "little boy Ned" who had died, untimely, some years before. It was then he wrote that last poem, the beautiful "As I Laye a-thynkynge," printed at the end of all editions of the Ingoldsby Legends as "The Last Lines of Thomas Ingoldsby." There is not, to my mind, anything more exquisitely beautiful and pathetic in the gorgeous roll of English literature than the seven stanzas of the swan-song of this master of humour and pathos. It is wholly for themselves, and not by reason of reading into them the special circumstances under which they were written, that so sweeping a judgment is made. That they have never been properly recognised is due to the Wardour Street antiquity of their spelling, and still more to that strange insistence which ordains that the accepted wit and humourist must always be "funny" or go unacknowledged. It is a strange penalty; one that would seek to deprive the humourist of all human emotions save that of laughter, and so make him that reproach of honest men—a cynic.
It was on June 17th, 1845, that Barham died, untimely, before the completion of his fifty-seventh year. He was buried in the vaults of his former church, St. Mary Magdalene, Old Fish Street Hill, one of those half-deserted city churches built by Sir Christopher Wren after the Great Fire of London. There he might have lain until now, but for the fire of December 2nd, 1886, which destroyed the building. For at least four years the blackened and roofless ruins stood, fronting Knightrider Street, and then they were removed, to make way for warehouses. The contents of the vaults were at the same time dispersed, the remains of Tom Ingoldsby being removed to Kensal Green Cemetery, while the tablet to his memory was appropriately transferred to St. Paul's, where, in the crypt, it may still be seen.
CHAPTER III
CANTERBURY
There stands a city, neither large nor small,
Its air and situation sweet and pretty.
It matters very little, if at all,
Whether its denizens are dull or witty;
Whether the ladies there are short or tall,
Brunettes or blondes; only, there stands a city!
Perhaps 'tis also requisite to minute,
That there's a Castle and a Cobbler in it.
Thus wrote Ingoldsby of his native city of Canterbury, in "The Ghost," and "sweet and pretty" its air and situation remain, sixty years since those lines were penned. For the changes that have altered so many other cities and towns have brought little disturbance here. No manufactures have come to abolish the prettiness of the situation; the air—the atmospheric air—is sweet and fragrant as of yore, and that other air—the demeanour and deportment—of Canterbury is still, as ever, gravely cheerful, as surely befits the capital city of a Primate whose Church is still a going concern.
Ingoldsby was exactly right in his epithetical summing-up, for prettiness and not grandeur is the characteristic of the gentle valley of the Stour, wherein Canterbury is set. Approach it from whatever quarter you will, and you will find prettiness only in the situation. Even when viewed from the commanding heights of Harbledown and St. Thomas's Hill, the only grandeur is that of the Cathedral, and that is extrinsic, a something imported into the picture. Nay, even the uprising bulk of that cathedral church gains in effect from being thus set down in midst of a valley that is almost with equal justness called a plain, and whose features may, without offence, or the suspicion of any thought derogatory from their beauty, be termed so featureless.
Unquestionably the best direction whence to enter this ancient capital of the Kentish folk—this Kaintware-bury of the Saxons, the Durovernum of the Romans—is from Harbledown, whence the pilgrims from London, or from the north and west of England, entered. Only thus does the stranger receive a really accurate impression. With emotions doubtless less violent than those of the mediæval pilgrims to the shrine of the blessed martyr, St. Thomas, but still strongly aroused, he sees the west front of the Cathedral, its two western "towers," and the great central "Bell-Harry" tower displayed boldly before him, in the level, and may even identify the more prominent of the public buildings. Descending from this hill, he passes through the ancient suburb of Saint Dunstan, and enters the city beneath the frowning portals of the West Gate.
If, on the other hand, the modern pilgrim arrives per Chatham and Dover Railway, he will be dumped down in quite a different direction, on the south side of the city, near Wincheap Street, in which thoroughfare he will be able, without any delay, to discover his first Ingoldsby landmark in Canterbury, in the shape of the "Harris's Almshouses," founded in 1729 by that ancestral Harris whose daughter his great-grandfather had married. They are five quite humble little red-brick houses, with a garden at the back, endowed for the support of two poor parishioners of St. Mary Magdalene, two of Thanington, and one of St. Mildred's. The value is the modest one of about £9 a year. An unassuming tablet on the central house of the row tells this story:
Mr. Thomas Harris
of this City
Founder of these Five
Alms-Houses
hath endowed them with
