thinks, the voice should tell and the organs should do." In "Blessings and Precepts," he stated it this way:
"In all the religious books of the world, Truth has been given the highest veneration for the reason that there is most excellent harmony in it. Whatever the mind thinks, the eye should see the same, the ear should hear the same, speech should speak the same; in other words, perfect harmony and cooperation are necessary in mind, speech and action. That all these should remain in their proper place as complementary to each other is conducive to good."
Leading a simple, natural life develops the 'simplicity' that is helpful to walking this Path. To be 'simple', in this context, requires a clear conscience and detachment toward (not rejection of) the materialistic world. The practice of Truth, as defined above, helps in the development of Simplicity. Greed and lust and resultant anger, hostility, sorrow, and the strengthening of feelings of separateness are not compatible with Simplicity. To lead a simple life, one should consider practicing voluntary poverty. This is not a directive to renounce activity or wealth (which often comes to those who practice Truth, Simplicity and Love), but a standard against which to consider one's personal demands or one's criteria for personal "needs" in life.
Love is the basis of devotion. According to the Hindu scriptures, physical or sexual love does not lead beyond itself; but when the same love, or passionate desire, is directed toward God alone, it becomes devotion.
Mahendra Baba taught that will power supports Truth; physical power is involved in the control of Simplicity; the power of the heart controls Love and devotion. By practicing Truth, Simplicity and Love, one can gain control over mind, body and the feelings of the heart. By the harmonious use of these 'controls' and by practicing tolerance and the remembrance of God's name, one can reach God. Walking this Path leads to a happy, useful, and contented life in the material world in which we live, based on realization of what life is all about.57
Vishnu Dutt and Giridhari Lal Mishra
Vishnu Dutt Mishra -"Shastriji"
Vishnu Dutt Mishra and Giridhari Lal Mishra were two brothers from the present Indian state of Rajasthan. Their father and father's fathers before them were the raj gurus (gurus of the kings) of the Alwar state, and Vishnu Dutt has also held this title. Vishnu Dutt is a "shastri" - a scholar with an "acharya" degree in Sanskrit from Benares University (the equivalent of a Ph. D.) - who taught Hindi and Sanskrit in the secondary school at Rajgarh, District Alwar, in Rajasthan. His younger brother, Giridhari Lal, was a highly respected judge in the Rajasthan Judicial Service.
In 1951 or 1952, when Vishnu Dutt was about 43 and Giridhari Lal was about 37 years old, and when Giridhari Lal was performing his duties and living in Bandikui (not far from Rajgarh), Mahendra Baba visited Bandikui. Giridhari Lal met Mahendra Baba during that visit. On the same day, Vishnu Dutt felt called to go to Bandikui and he also met Mahendra Baba, through Giridhari Lal, at the railroad station, as Mahendra Baba was leaving Bandikui. As the train was about to move, Mahendra Baba told Vishnu Dutt that when the two brothers lived in the same town, he would come to them. After about one month, Giridhari Lal was transferred from Bandikui to Rajgarh, and Mahendra Baba started visiting them frequently.
Vishnu Dutt (known as "Shastriji") had a remarkable memory for the scriptures, in both Sanskrit and Hindi, and could recite long passages from memory. Mahendra Maharaj used to ask Shastriji to recite various scriptures to him. One day, in 1954, Mahendra Baba remarked, "You recite so well; why can't you write some literature?"
The next day, Mahendra Baba had Giridhari Lal take him to a place outside of Rajgarh for his bath. When Shastriji, at home, took his bath, as he poured the first pitcher of water, an original sloka (a religious verse of praise) came into his mind, and he spoke it as he bathed. He wrote it down and when Mahendra Baba returned, Shastriji showed him the sloka. Mahendra Baba was delighted and said that a gift of 10,000 rupees could not make him so happy. He told Shastriji the sloka - and the ability to compose it - was the blessing of the Divine Mother and that he now had Her full blessings.
The next day, when Shastriji went to school, in a free period he started writing slokas - and they flowed easily, almost automatically. When he showed them to Mahendra Maharaj that evening, Mahendra Maharaj was so excited that he literally jumped for joy, and then put his hand on Shastriji's head in blessing. Ever since this time, Shastriji has been able to compose easily whatever he wishes. He had never written anything for publication before, nor had any thought of doing so.
The following day Mahendra Maharaj left for Vrindaban. As he was sitting in the bus, he blessed Shastriji again and assured him that he could write whatever he wanted. This started Shastriji on his first book, "Sadguru Stuti Kusmanjali," a book of prayers to and verses about Shri Babaji. The whole book was written in seven or eight days. It was written in Sanskrit verse and translated into Hindi, also in verse form. When it was completed, Giridhari Lal read it and became very excited, asking how such an excellent book could be written in such a short time. He insisted that he and Shastriji take the manuscript to Mahendra Maharaj, so they went to Vrindaban the next day.
They found Mahendra Maharaj sitting by a small pond, in meditation. They sat down before him and after two or three minutes he opened his eyes. Immediately, he asked what they had brought, and Shastriji handed the manuscript to Mahendra Baba. Mahendra Baba had Shastriji read the book to him as they sat there. Shastriji read until about 3 p.m., when Mahendra Baba interrupted and apologized for not having given them tea, even yet, but this day was closing day for shops in this part of Vrindaban and what could he do? "Well," he said, "you go on reciting and we'll see about food later." Shastriji continued to read. About twenty minutes later, a young girl, carrying a tray of sweets and tea, came up and put the tray before them and went away.
After he heard the whole book read to him, Mahendra Maharaj commented that Shastriji wrote excellent Sanskrit verse, but that his Hindi verse should equal that of Tulsidas, Kabir, and other great poets. That time will come, he said; but, until then, you should write only in Sanskrit.
About six weeks after this, Mahendra Baba sent word to Shastriji that he should take leave from his teaching duties and come to Vrindaban immediately. Shastriji found Mahendra Baba in a small room at Shyamji s house, above a sweet shop. Mahendra Baba was sitting in front of a photograph of 'Old Haidakhan Baba.' Shastriji made a pranam to the photograph and told Mahendra Baba that he had never before seen a photograph of Haidakhan Baba but that he had seen that form in his dreams. In 1940, in the temple to Laxman in his home in Rajgarh, Shri Laxmanji had given Shastriji a vision, or dream, of Babaji in the same form as he now saw in the photograph, and told Shastriji that "He [Babaji] can give you everything."
Mahendra Maharaj then told Shastriji that the time had come when he could write such beautiful compositions that they would excel those of Tulsidas, Kabir, and everyone. Shastriji made a pranam to Mahendra Baba and asked him how to proceed with the writing. Mahendra Baba protested, "How can I give these blessings?" He removed the jasmine garland that was hung on Babaji's photograph. He gave the garland to Shastriji, saying, "Your daughter is the incarnation of Saraswati [the Goddess of Knowledge and artistic inspiration]. You give this mala to her and she will give you the outline of what has to be written." (At that time, Shastriji's daughter was four years old.)
When Shastriji returned home from Vrindaban, the whole family came to greet him and to inquire what Mahendra Maharaj had wanted. The four-year-old daughter came, too, so Shastriji took the garland and put it on her, as directed by Mahendra Maharaj. The girl took the pen from Shastriji's pocket, found a piece of paper and started scribbling on the paper. Each day, the little girl scribbled on a number of pages, and each day Shastriji wrote exactly the same number of pages of poetry (slokas). If she scribbled on ten pages, he wrote ten pages of slokas; if
