his breeches were of the yellow satin-like material called aimable – that his sky-blue cloak, resembling in form a dressing-wrapper, and richly bestudded all over with crimson devices, floated cavalierly upon his shoulders like a mist of the morning – and that his tout ensemble[12] gave rise to the remarkable words of Benevenuta, the Improvisatrice of Florence, “that it was difficult to say whether Pierre Bon-Bon was indeed a bird of Paradise, or rather a very Paradise of perfection.” I might, I say, expatiate upon all these points if I pleased, – but I forbear, merely personal details may be left to historical novelists, – they are beneath the moral dignity of matter-of-fact.
I have said that “to enter the Café in the cul-de-sac Le Febvre was to enter the sanctum of a man of genius” – but then it was only the man of genius who could duly estimate the merits of the sanctum. A sign, consisting of a vast folio, swung before the entrance. On one side of the volume was painted a bottle; on the reverse a pate. On the back were visible in large letters Oeuvres de Bon-Bon. Thus was delicately shadowed forth the two-fold occupation of the proprietor.
Upon stepping over the threshold, the whole interior of the building presented itself to view. A long, low-pitched room, of antique construction, was indeed all the accommodation afforded by the Café. In a corner of the apartment stood the bed of the metaphysician. An army of curtains, together with a canopy a là Grecque[13], gave it an air at once classic and comfortable. In the corner diagonary opposite, appeared, in direct family communion, the properties of the kitchen and the bibliotheque. A dish of polemics stood peacefully upon the dresser. Here lay an ovenful of the latest ethics – there a kettle of duodecimo melanges. Volumes of German morality were hand and glove[14] with the gridiron – a toasting-fork might be discovered by the side of Eusebius – Plato reclined at his ease in the frying-pan – and contemporary manuscripts were filed away upon the spit.
In other respects the Café de Bon-Bon might be said to differ little from the usual restaurants of the period. A fireplace yawned opposite the door. On the right of the fireplace an open cupboard displayed a formidable array of labelled bottles.
It was here, about twelve o’clock one night during the severe winter the comments of his neighbours upon his singular propensity – that Pierre Bon-Bon, I say, having turned them all out of his house, locked the door upon them with an oath, and betook himself in no very pacific mood to the comforts of a leather-bottomed arm-chair, and a fire of blazing fagots.
It was one of those terrific nights which are only met with once or twice during a century. It snowed fiercely, and the house tottered to its centre with the floods of wind that, rushing through the crannies in the wall, and pouring impetuously down the chimney, shook awfully the curtains of the philosopher’s bed, and disorganized the economy of his pâté-pans and papers. The huge folio sign that swung without, exposed to the fury of the tempest, creaked ominously, and gave out a moaning sound from its stanchions of solid oak.
It was in no placid temper, I say, that the metaphysician drew up his chair to its customary station by the hearth. Many circumstances of a perplexing nature had occurred during the day, to disturb the serenity of his meditations. In attempting des æufs[15]a là Princesse, he had unfortunately perpetrated an omelette a là Reine; the discovery of a principle in ethics had been frustrated by the overturning of a stew; and last, not least, he had been thwarted in one of those admirable bargains which he at all times took such especial delight in bringing to a successful termination. But in the chafing of his mind at these unaccountable vicissitudes, there did not fail to be mingled some degree of that nervous anxiety which the fury of a boisterous night is so well calculated to produce. Whistling to his more immediate vicinity the large black water-dog we have spoken of before, and settling himself uneasily in his chair, he could not help casting a wary and unquiet eye toward those distant recesses of the apartment whose inexorable shadows not even the red firelight itself could more than partially succeed in overcoming. Having completed a scrutiny whose exact purpose was perhaps unintelligible to himself, he drew close to his seat a small table covered with books and papers, and soon became absorbed in the task of retouching a voluminous manuscript, intended for publication on the morrow.
He had been thus occupied for some minutes when “I am in no hurry, Monsieur Bon-Bon,” suddenly whispered a whining voice in the apartment.
“The devil!” ejaculated our hero, starting to his feet, overturning the table at his side, and staring around him in astonishment.
“Very true,” calmly replied the voice.
“Very true! – what is very true? – how came you here?” vociferated the metaphysician, as his eye fell upon something which lay stretched at full length upon the bed.
“I was saying,” said the intruder, without attending to the interrogatives, – “I was saying that I am not at all pushed for time[16] – that the business upon which I took the liberty of calling, is of no pressing importance – in short, that I can very well wait until you have finished your Exposition.”
“My Exposition! – there now! – how do you know? – how came you to understand that I was writing an Exposition? – good God!”
“Hush!” replied the figure, in a shrill undertone; and, arising quickly from the bed, he made a single step toward our hero, while an iron lamp that depended over-head swung convulsively back from his approach.
The philosopher’s amazement did not prevent a narrow scrutiny of the stranger’s dress and appearance. The outlines of his figure, exceedingly lean, but much above the common height, were rendered minutely distinct, by means of a faded suit of black cloth which fitted tight to the skin, but was otherwise cut very much in the style of a century ago. These garments had evidently been intended for a much shorter person than their present owner. His ankles and wrists were left naked for several inches. In his shoes, however, a pair of very brilliant buckles gave the lie to the extreme poverty implied by the other portions of his dress. His head was bare, and entirely bald, with the exception of a hinder part, from which depended a queue of considerable length. A pair of green spectacles, with side glasses, protected his eyes from the influence of the light, and at the same time prevented our hero from ascertaining either their color or their conformation. About the entire person there was no evidence of a shirt, but a white cravat, of filthy appearance[17], was tied with extreme precision around the throat and the ends hanging down formally side by side gave (although I dare say unintentionally) the idea of an ecclesiastic. Indeed, many other points both in his appearance and demeanor might have very well sustained a conception of that nature. Over his left ear, he carried, after the fashion of a modern clerk, an instrument resembling the stylus of the ancients. In a breast-pocket of his coat appeared conspicuously a small black volume fastened with clasps of steel. This book, whether accidentally or not, was so turned outwardly from the person as to discover the words Rituel Catholique in white letters upon the back. His entire physiognomy was interestingly saturnine – even cadaverously pale. The forehead was loft y, and deeply furrowed with the ridges of contemplation. The corners of the mouth were drawn down into an expression of the most submissive humility. There was also a clasping of the hands, as he stepped toward our hero – a deep sigh – and altogether a look of such utter sanctity as could not have failed to be unequivocally preposessing. Every shadow of anger faded from the countenance of the metaphysician, as, having completed a satisfactory survey of his visitor’s person, he shook him cordially by the hand, and conducted him to a seat.
There would however be a radical error in attributing this instantaneous transition of feeling in the philosopher, to any one of those causes which might naturally be supposed to have had an influence. Indeed, Pierre Bon-Bon, from what I have
were hand and glove – (
I am not at all pushed for time – (
a white cravat, of filthy appearance – (
