The Complete Guide to Japanese Kanji. Kenneth G. Henshall

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The Complete Guide to Japanese Kanji - Kenneth G. Henshall

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      L5

      出

      SHUTSU, deru, dasu

      emerge, put out

      5 strokes

      出発 SHUPPATSU departure

      思い出 omoide a memory

      引き出し hikidashi drawer

      Based on early forms such as Image, Qiu sees the graph as a foot stepping out of a pit dwelling, noting the ancients lived in pits. Katō takes a broadly similar view, interpreting such forms as depicting a foot wearing a sandal setting out. See also 止 143 ‘stop’. QX2000:192; KJ1970:301-2. Suggest using 山 26 ‘mountain’ as a mnemonic.

      Mnemonic: MOUNTAIN EMERGES ON TOP OF ANOTHER

      37

      L5

      女

      JO, NYO, NYŌ, onna, me

      woman

      3 strokes

      女性 JOSEI woman

      女房 NYŌBŌ wife

      女の子 onna-no-ko girl

      OBI forms show a kneeling woman Image, later stylized. MR2007:463; SS1984:432; QX2000:178; KJ1970:253.

      Mnemonic: KNEELING WOMAN

      38

      L5

      小

      SHŌ, chiisai, ko, o-

      small

      3 strokes

      小説 SHŌSETSU a novel

      小犬 koinu small dog, puppy

      小川 ogawa brook, stream

      OBI forms show a few small objects together (typically three) – shells or suchlike Image MR2007:226; SS1984:435; QX2000:175.

      Mnemonic: A STROKE DIVIDED INTO TWO SMALL ONES

      39

      L5

      上

      JŌ, ue, uwa-, kami, ageru/garu, noboru

      up, top, over, rise

      3 strokes

      以上 IJŌ over, above

      川上 kawakami upstream

      値上げ neage price rise

      OBI forms show two horizontal strokes, upper one being shorter Image but more commonly written as a short horizontal line above a longer line gently curving upwards – perhaps the palm of the hand Image A vertical stroke was added later. ‘Go up’ etc. are extended meanings. MR2007:210; SS1984:456; KJ1970:541; KJ1985:3.

      Mnemonic: BAR WITH HANDLE RISES UP OVER THE BASE LINE

      40

      L4

      森

      SHIN, mori

      woods

      12 strokes

      森林 SHINRIN forest, woods

      森閑 SHINKAN silence

      青森 Aomori Aomori City/Pref.

      OBI is based on pictograph of three trees Image, indicating many trees. Three was often used to indicate plurality, including in ancient Egyptian hieroglyphs. Distinguish from 林 79 ‘forest’. Can have Shintoist connotations in Japanese. MR2007:341; KJ1970:41-2.

      Mnemonic: THE WOODS CONTAIN MANY TREES, ALL GROWING IN THREES!

      41

      L5

      人

      JIN, NIN, hito

      person, people

      2 strokes

      日本人 NIHONJIN (a) Japanese

      人間 NINGEN human being

      人出 hitode crowd, turnout

      OBI Image is based on the pictograph of a person standing, viewed side-on. As a determinative element, commonly 亻; other elements of similar meaning include 人 ‘person’, 儿 ‘person (variant)’ (determinative no. 10), and卩(determinative no. 26) ‘kneeling person’. There are in fact more forms relating to ‘person’, which can be confusing. We will indicate these as they occur. MR2007:379; SS1984:479; KJ1970:563-4.

      Mnemonic: A PERSON WALKING WITH NO ARMS OR HEAD?!

      42

      L5

      水

      SUI, mizu

      water

      4 strokes

      水曜日 SUIYŌbi Wednesday

      水素 SUISO hydrogen

      大水 ōmizu flood

      OBI Image is a pictorial representation of water flowing; later stylized in shape to 水. Often found in compound graphs in the form of 氵. See also 川 50 ‘river’. MR2007:435; SS1984:515; QX2000:175. We suggest taking right and left elements as narrowing banks.

      Mnemonic: WATER NARROWS BETWEEN RIVER BANKS

      43

      L4

      正

      SEI, SHŌ, tadashii, tadasu, masa

      correct,

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