Beatrix. Honore de Balzac

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Beatrix - Honore de Balzac

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he polished the floors and cleaned the rooms on the ground-floor, then he went to his garden, where weed or damaging insect was never seen. Sometimes Gasselin was observed motionless, bare-headed, under a burning sun, watching for a field-mouse or the terrible grub of the cockchafer; then, as soon as it was caught, he would rush with the joy of a child to show his masters the noxious beast that had occupied his mind for a week. He took pleasure in going to Croisic on fast-days, to purchase a fish to be had for less money there than at Guerande.

      Thus no household was ever more truly one, more united in interests, more bound together than this noble family sacredly devoted to its duty. Masters and servants seemed made for one another. For twenty-five years there had been neither trouble nor discord. The only griefs were the petty ailments of the little boy, the only terrors were caused by the events of 1814 and those of 1830. If the same things were invariably done at the same hours, if the food was subjected to the regularity of times and seasons, this monotony, like that of Nature varied only by alterations of cloud and rain and sunshine, was sustained by the affection existing in the hearts of all—the more fruitful, the more beneficent because it emanated from natural causes.

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      When night had fairly fallen, Gasselin came into the hall and asked his master respectfully if he had further need of him.

      “You can go out, or go to bed, after prayers,” replied the baron, waking up, “unless Madame or my sister—”

      The two ladies here made a sign of consent. Gasselin then knelt down, seeing that his masters rose to kneel upon their chairs; Mariotte also knelt before her stool. Mademoiselle du Guenic then said the prayer aloud. After it was over, some one rapped at the door on the lane. Gasselin went to open it.

      “I dare say it is Monsieur le cure; he usually comes first,” said Mariotte.

      Every one now recognized the rector’s foot on the resounding steps of the portico. He bowed respectfully to the three occupants of the room, and addressed them in phrases of that unctuous civility which priests are accustomed to use. To the rather absent-minded greeting of the mistress of the house, he replied by an ecclesiastically inquisitive look.

      “Are you anxious or ill, Madame la baronne?” he asked.

      “Thank you, no,” she replied.

      Monsieur Grimont, a man of fifty, of middle height, lost in his cassock, from which issued two stout shoes with silver buckles, exhibited above his hands a plump visage, and a generally white skin though yellow in spots. His hands were dimpled. His abbatial face had something of the Dutch burgomaster in the placidity of its complexion and its flesh tones, and of the Breton peasant in the straight black hair and the vivacity of the brown eyes, which preserved, nevertheless, a priestly decorum. His gaiety, that of a man whose conscience was calm and pure, admitted a joke. His manner had nothing uneasy or dogged about it, like that of many poor rectors whose existence or whose power is contested by their parishioners, and who instead of being, as Napoleon sublimely said, the moral leaders of the population and the natural justices of peace, are treated as enemies. Observing Monsieur Grimont as he marched through Guerande, the most irreligious of travellers would have recognized the sovereign of that Catholic town; but this same sovereign lowered his spiritual superiority before the feudal supremacy of the du Guenics. In their salon he was as a chaplain in his seigneur’s house. In church, when he gave the benediction, his hand was always first stretched out toward the chapel belonging to the Guenics, where their mailed hand and their device were carved upon the key-stone of the arch.

      “I thought that Mademoiselle de Pen-Hoel had already arrived,” said the rector, sitting down, and taking the hand of the baroness to kiss it. “She is getting unpunctual. Can it be that the fashion of dissipation is contagious? I see that Monsieur le chevalier is again at Les Touches this evening.”

      “Don’t say anything about those visits before Mademoiselle de Pen-Hoel,” cried the old maid, eagerly.

      “Ah! mademoiselle,” remarked Mariotte, “you can’t prevent the town from gossiping.”

      “What do they say?” asked the baroness.

      “The young girls and the old women all say that he is in love with Mademoiselle des Touches.”

      “A lad of Calyste’s make is playing his proper part in making the women love him,” said the baron.

      “Here comes Mademoiselle de Pen-Hoel,” said Mariotte.

      The gravel in the court-yard crackled under the discreet footsteps of the coming lady, who was accompanied by a page supplied with a lantern. Seeing this lad, Mariotte removed her stool to the great hall for the purpose of talking with him by the gleam of his rush-light, which was burned at the cost of his rich and miserly mistress, thus economizing those of her own masters.

      This elderly demoiselle was a thin, dried-up old maid, yellow as the parchment of a Parliament record, wrinkled as a lake ruffled by the wind, with gray eyes, large prominent teeth, and the hands of a man. She was rather short, a little crooked, possibly hump-backed; but no one had ever been inquisitive enough to ascertain the nature of her perfections or her imperfections. Dressed in the same style as Mademoiselle du Guenic, she stirred an enormous quantity of petticoats and linen whenever she wanted to find one or other of the two apertures of her gown through which she reached her pockets. The strangest jingling of keys and money then echoed among her garments. She always wore, dangling from one side, the bunch of keys of a good housekeeper, and from the other her silver snuff-box, thimble, knitting-needles, and other implements that were also resonant. Instead of Mademoiselle Zephirine’s wadded hood, she wore a green bonnet, in which she may have visited her melons, for it had passed, like them, from green to yellowish; as for its shape, our present fashions are just now bringing it back to Paris, after twenty years absence, under the name of Bibi. This bonnet was constructed under her own eye and by the hands of her nieces, out of green Florence silk bought at Guerande, and an old bonnet-shape, renewed every five years at Nantes—for Mademoiselle de Pen-Hoel allowed her bonnets the longevity of a legislature. Her nieces also made her gowns, cut by an immutable pattern. The old lady still used the cane with the short hook that all women carried in the early days of Marie-Antoinette. She belonged to the very highest nobility of Brittany. Her arms bore the ermine of its ancient dukes. In her and in her sister the illustrious Breton house of the Pen-Hoels ended. Her younger sister had married a Kergarouet, who, in spite of the deep disapproval of the whole region, added the name of Pen-Hoel to his own and called himself the Vicomte de Kergarouet-Pen-Hoel.

      “Heaven has punished him,” said the old lady; “he has nothing but daughters, and the Kergarouet-Pen-Hoel name will be wiped out.”

      Mademoiselle de Pen-Hoel possessed about seven thousand francs a year from the rental of lands. She had come into her property at thirty-six years of age, and managed it herself, inspecting it on horseback, and displaying on all points the firmness of character which is noticeable in most deformed persons. Her avarice was admired by the whole country round, never meeting with the slightest disapproval. She kept one woman-servant and the page. Her yearly expenses, not including taxes, did not amount to over a thousand francs. Consequently, she was the object of the cajoleries of the Kergarouet-Pen-Hoels, who passed the winters at Nantes, and the summers at their estate on the banks of the Loire below l’Indret. She was supposed to be ready to leave her fortune and her savings to whichever of her nieces pleased her best. Every three months one or other of the four demoiselles de Kergarouet-Pen-Hoel, (the youngest of whom was twelve,

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