A History of Chinese Literature. Giles Herbert Allen

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A History of Chinese Literature - Giles Herbert Allen

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to another may not let their hands touch is a rule for general application. To save a drowning sister-in-law by taking hold of her hand is altogether an exceptional case.’”

      The works of Mencius abound, like the Confucian Analects, in sententious utterances. The following examples illustrate his general bias in politics: – “The people are of the highest importance; the gods come second; the sovereign is of lesser weight.”

      “Chieh and Chou lost the empire because they lost the people, which means that they lost the confidence of the people. The way to gain the people is to gain their confidence, and the way to do that is to provide them with what they like and not with what they loathe.”

      This is how Mencius snuffed out the two heterodox philosophers mentioned above: —

      “The systems of Yang Chu and Mo Ti fill the whole empire. If a man is not a disciple of the former, he is a disciple of the latter. But Yang Chu’s egoism excludes the claim of a sovereign, while Mo Ti’s universal altruism leaves out the claim of a father. And he who recognises the claim of neither sovereign nor father is a brute beast.”

      Yang Chu seems to have carried his egoism so far that even to benefit the whole world he would not have parted with a single hair from his body.

      “The men of old knew that with life they had come but for a while, and that with death they would shortly depart again. Therefore they followed the desires of their own hearts, and did not deny themselves pleasures to which they felt naturally inclined. Fame tempted them not; but led by their instincts alone, they took such enjoyments as lay in their path, not seeking for a name beyond the grave. They were thus out of the reach of censure; while as for precedence among men, or length or shortness of life, these gave them no concern whatever.”

      Mo Ti, on the other hand, showed that under the altruistic system all calamities which men bring upon one another would altogether disappear, and that the peace and happiness of the Golden Age would be renewed.

      TA HSÜEH AND CHUNG YUNG

      In the Ta Hsüeh, or Great Learning, which forms Sect. xxxix. of the Book of Rites, and really means learning for adults, we have a short politico-ethical treatise, the authorship of which is unknown, but is usually attributed partly to Confucius, and partly to Tsêng Ts’an, one of the most famous of his disciples. In the former portion there occurs the following well-known climax: —

      “The men of old, in their desire to manifest great virtue throughout the empire, began with good government in the various States. To achieve this, it was necessary first to order aright their own families, which in turn was preceded by cultivation of their own selves, and that again by rectification of the heart, following upon sincerity of purpose which comes from extension of knowledge, this last being derived from due investigation of objective existences.”

      One more short treatise, known as the Chung Yung, which forms Ch. xxviii. of the Book of Rites, brings us to the end of the Four Books. Its title has been translated in various ways.2 Julien rendered the term by “L’Invariable Milieu,” Legge by “The Doctrine of the Mean.” Its authorship is assigned to K’ung Chi, grandson of Confucius. He seems to have done little more than enlarge upon certain general principles of his grandfather in relation to the nature of man and right conduct upon earth. He seizes the occasion to pronounce an impassioned eulogium upon Confucius, concluding with the following words: —

      “Therefore his fame overflows the Middle Kingdom, and reaches the barbarians of north and south. Wherever ships and waggons can go, or the strength of man penetrate; wherever there is heaven above and earth below; wherever the sun and moon shed their light, or frosts and dews fall, – all who have blood and breath honour and love him. Wherefore it may be said that he is the peer of God.”

      CHAPTER IV

      MISCELLANEOUS WRITERS

      Names of the authors who belong to this period, B.C. 600 to B.C. 200, and of the works on a variety of subjects attributed to them, would fill a long list. Many of the latter have disappeared, and others are gross forgeries, chiefly of the first and second centuries of our era, an epoch which, curiously enough, is remarkable for a similar wave of forgery on the other side of the world. As to the authors, it will be seen later on that the Chinese even went so far as to create some of these for antiquity and then write up treatises to match.

      There was Sun Tzŭ of the 6th century B.C. He is said to have written the Ping Fa, or Art of War, in thirteen sections, whereby hangs a strange tale. When he was discoursing one day with Prince Ho-lu of the Wu State, the latter said, “I have read your book and want to know if you could apply its principles to women.” Sun Tzŭ replied in the affirmative, whereupon the Prince took 180 girls out of his harem and bade Sun Tzŭ deal with them as with troops. Accordingly he divided them into two companies, and at the head of each placed a favourite concubine of the Prince. But when the drums sounded for drill to begin, all the girls burst out laughing. Thereupon Sun Tzŭ, without a moment’s delay, caused the two concubines in command to be beheaded. This at once restored order, and ultimately the corps was raised to a state of great efficiency.

      The following is an extract from the Art of War: —

      “If soldiers are not carefully chosen and well drilled to obey, their movements will be irregular. They will not act in concert. They will miss success for want of unanimity. Their retreat will be disorderly, one half fighting while the other is running away. They will not respond to the call of the gong and drum. One hundred such as these will not hold their own against ten well-drilled men.

      “If their arms are not good, the soldiers might as well have none. If the cuirass is not stout and close set, the breast might as well be bare. Bows that will not carry are no more use at long distances than swords and spears. Bad marksmen might as well have no arrows. Even good marksmen, unless able to make their arrows pierce, might as well shoot with headless shafts. These are the oversights of incompetent generals. Five such soldiers are no match for one.”

      It is notwithstanding very doubtful if we have any genuine remains of either Sun Tzŭ, or of Kuan Tzŭ, Wu Tzŭ, Wên Tzŭ, and several other early writers on war, political philosophy, and cognate subjects. The same remark applies equally to Chinese medical literature, the bulk of which is enormous, some of it nominally dating back to legendary times, but always failing to stand the application of the simplest test.

      The Erh Ya, or Nearing the Standard, is a work which has often been assigned to the 12th century B.C. It is a guide to the correct use of many miscellaneous terms, including names of animals, birds, plants, etc., to which are added numerous illustrations. It was first edited with commentary by Kuo P’o, of whom we shall read later on, and some Chinese critics would have us believe that the illustrations we now possess were then already in existence. But the whole question is involved in mystery. The following will give an idea of the text: —

      “For metal we say lou (to chase); for wood k’o (to carve); for bone ch’ieh (to cut),” etc., etc.

      T’AN KUNG

      There are some interesting remains of a writer named T’an Kung, who flourished in the 4th and 3rd centuries B.C., and whose work has been included in the Book of Rites. The three following extracts will give an idea of his scope: —

      1. “One day Yu-tzŭ and Tzŭ-yu saw a child weeping for the loss of its parents. Thereupon the former observed, ‘I never could understand why mourners should necessarily jump about to show their grief, and would long ago have got rid of the custom. Now here you have an honest expression of feeling, and that is all there should ever be.’

      “‘My friend,’

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<p>2</p>

Chung means “middle,” and Yung means “course,” the former being defined by the Chinese as “that which is without deflection or bias,” the latter as “that which never varies in its direction.”