Enrichment. Luc Boltanski

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have a paradoxical character. Either the content of the bottle is used – that is, consumed – which means an indefinite delay in the formation of a complete collection, or else the collection is kept more as a collection of labels than as a collection of wines as such. Indeed, with great wines, whose nature is profoundly modified by the conditions of aging, the referential relation between the words printed on the label and the content of the bottle always has some degree of uncertainty. Similarly, to take a different example, let us consider the type of collector at whom sales of high-end leather goods are aimed (Hermès handbags, for instance). Although these goods have been manufactured relatively recently, they are sold by major auction houses that deal primarily in antiquities and works of art, in old models of watches, jewelry, clothing, “designer” furnishings, or in certain brands of automobiles that have become collectors’ items. In this logic, the demand for a thing does not decrease when one approaches the satiation point, as is the case for things corresponding to needs; on the contrary, it tends – as we see especially in the case of collections – to increase as the collection grows. The most coveted item of all will be the one required for the completion of a set.

      As the foregoing remarks suggest, we can offer a schematic sketch of two ideal types of economy. An economy centered on industrial production can be contrasted with an economy based on what one might call processes of enriching things. Let us recall that the term “enrichment” is used not only to indicate that the things on which this economy is based are intended chiefly for the rich but also to designate the operations carried out on the things themselves in order to increase their value and their prices.

      There is nothing that cannot be enriched, whether it comes from a more or less ancient past or is a contemporary object enriched in the process of fabrication. But a thing – any “thing” at all – can be enriched in various ways. It can be enriched physically (for example, in the case of an old house or apartment, by making the beams or joists visible) and/or culturally (for example, by relating the object to other things with which it has a certain harmony). Cultural enrichment of the latter sort always presupposes using a narrative structure in order to select, from within the multiplicity of potentially relatable phenomena, the differences presented by the object in question that can be considered especially pertinent and that must therefore be singled out and highlighted in the discourses that accompany the object’s circulation. In this sense, enrichment economies have as their principal resource the creation and shaping of differences and identities.

      In the effort to understand how an enrichment economy is formed, France offers a paradigmatic example, owing to the simultaneously local and global character of its economy. The development of an enrichment economy can also be observed elsewhere, in Italy or Spain, for instance; on a more local scale, it can be studied in cities or even in districts within cities, for example, in the area around the High Line in New York.11 It is worth noting that changes of the type we are trying to pinpoint are always rooted in an “enrichment basin” offering favorable geographical and historical conditions.

      One can hypothesize an analogy between the phenomenon whose contours and processes we have just recalled and a phenomenon we are witnessing in contemporary France. The enrichment economy corresponds not only to growing specialization in the realm of culture and in the increasingly apparent symbiosis between the cultural realm and that of business but also to an original mode of wealth creation based on the exploitation – much

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