Enrichment. Luc Boltanski

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style="font-size:15px;">      24 24. There is no universal legal framework requiring that a product’s country of origin be identified. Unlike the American context, for example, the European context is permissive. “The choice in branding at the point of importation and commercialization on national territory is left to the discretion of the manufacturer and thus remains optional” (ibid., p. 111).

      25 25. Ibid., p. 120.

      26 26. See chapter 8, pp. 206–7.

      27 27. Roxana Azimi, “L’élite prend l’art,” M le magazine du Monde (April 5, 2014).

      28 28. Vincent Marcilhac, Le luxe alimentaire: une singularité française (Rennes: Presses Universitaires de Rennes, 2012), p. 27.

      29 29. See Alessandro Stanziani, Histoire de la qualité alimentaire, XIXe–XXe siècle (Paris: Seuil, 2005).

      30 30. On the importance of authenticity in gastronomy, see Josée Johnston and Shyon Baumann, “Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing,” American Journal of Sociology, 113/1 (2007): 165–204.

      31 31. Marie-France Garcia-Parpet, Le marché de l’excellence: les grands crus à l’épreuve de la mondialisation (Paris: Seuil, 2009).

      32 32. Marcilhac, Le luxe alimentaire, p. 34; and on the growing ascendancy of the big multinational groups over the prestigious vineyards, see Garcia-Parpet, Marché de l’excellence, pp. 140–5.

      33 33. Michaela DeSoucey, “Food Traditions and Authenticity Politics in the European Union,” American Sociological Review, 75/3 (2010): 432–55.

      34 34. Garcia-Parpet, Marché de l’excellence, pp. 172–3.

      35 35. Thus, for instance, the association “Bienvenue à la ferme,” supported by the Chamber of Agriculture of the Loiret (a region with a significant architectural heritage), describes itself as the “first French network for direct sales and for welcoming [visitors] to farms”; in its annual brochure, local winemakers and producers offer recipes to a cosmopolitan audience, but they nevertheless specify the use of traditional local products: “sauerkraut with fish from the Loire in a baking dish, sauce with butter from Nantes,” is presented by two Loire fishermen, a “lamb tagine” is described by locals who raise sheep, and a “stew with ancient vegetables” is proposed by fruit and vegetable growers.

      36 36. Françoise Bonnal traces the notion of “nation branding” back to the publication of Philip Kotler’s book, Marketing Places: Attracting Investment, Industry and Tourism to Cities, States, and Nations (New York: Free Press, 1993); the notion was first put to work in marketing tourism. See Françoise Bonnal, “Comprendre et gérer la marque France: mode d’emploi pour les acteurs de la marque France,” Revue française de gestion, nos. 218–19 (2001): 27–43. Currently, many agencies, mostly based in London, specialize in the construction and diffusion of markers of identity and national narratives designed to highlight nations, regions, and cities, associating them with products in order to promote their commercialization; see Melissa Aronczyk, Branding the Nation: The Global Business of National Identity (Oxford: Oxford University Press, 2013).

      37 37. Bonnal, “Comprendre et gérer.”

      38 38. On the way traditions are invented, see the classic work by Eric Hobsbawm and Terence Ranger, eds, The Invention of Tradition (Cambridge: Cambridge University Press, 1983); see also Anne-Marie Thiesse, La création des identités nationales (Paris: Seuil, 1999).

      39 39. Bonnal, “Comprendre et gérer.”

      40 40. On the generalization of benchmarking, see especially Isabelle Bruno and Emmanuel Didier, Benchmarking: l’État sous pression statistique (Paris: Zone Books, 2013); see also Christian Laval, Francis Vergne, Pierre Clément, and Guy Dreux, La nouvelle école capitaliste (Paris: La Découverte, 2011).

      41 41. The processes of heritage creation are currently receiving a great deal of attention, especially from historians and anthropologists but also from sociologists, geographers, and economists; the literature on the subject is increasing day by day. One of the most notable editorial projects in this area is a collection edited by Pierre Nora and published by Gallimard: Pierre Nora, ed., Rethinking France=Lieux de mémoire, trans. David Jordan, 4 vols (Chicago: University of Chicago Press, [1984–92] 2001). See also Xavier Greffe, La valeur économique du patrimoine (Paris: Anthropos, 1990); Alain Berger, Pascal Chevalier, Geneviève Cortes, and Marc Dedeire, eds, Patrimoines, héritages et développement rural en Europe (Paris: L’Harmattan, 2010). We should also mention the analysis by an anthropologist who studies the processes of heritage creation in Palma de Mallorca. The author shows that these are twofold processes. On one side, they put up barriers to the growth of gentrification; on the other, they promote the commodification of the zones surrounding sites of heritage creation. See Jaume Franquesa, “On Keeping and Selling: The Political Economy of Heritage Making in Contemporary Spain,” Current Anthropology, 54/3 (2013): 346–69.

      42 42. See Sharon Zukin, The Culture of Cities (Oxford: Blackwell, 1995), pp. 79–108.

      43 43. See, for example, the brochures “Nantes, le voyage,” and “Nantes, les adresses CHIK.”

      44 44. See Berger et al., Patrimoines, pp. 5–10.

      45 45. Stéphane Gerson, “Le patrimoine local impossible: Nostradamus à Salon-de-Provence (1890–1999),” Genèses, no. 92 (2013): 52–75.

      46 46. In recent years most households that have changed residences in France have moved to a rural or peri-urban commune, and they justify that choice by their quest for “life in the country.” Between 1999 and 2006, rural communes have experienced a net population growth of 0.8 percent, whereas the population in urban centers has remained stable; see Jean Laganier and Dalila Vienne, “Recensement de la population en 2006: la croissance retrouvée des espaces ruraux et des grandes villes,” Insee première, no. 1218 (2009).

      47 47. On policies of public heritage creation and their expression over the last forty years, see François Hartog, Regimes of Historicity: Presentism and Experiences of Time (New York: Columbia University Press, [2003] 2015), pp. 180–6. Thus, for example, whereas the Athens Charter for the Restoration of Historical Monuments focused on isolated single monuments, the Venice charter, thirty years later, included in the notion of historical monument “not only the single architectural work but also the urban or rural setting in which is found evidence of a particular civilization, a significant development or a historic event” (p. 183).

      48 48. To take just one example, Vincent Biot analyzes the way the plateaus known as the Grands Causses, carved out between the gorges of the Tarn and Jonte rivers, have been highlighted. In the nineteenth century these regions still benefited from flourishing economic activities based on livestock farming, especially tanneries, millinery, and trading in wool and silk; during the first third of the twentieth century, these activities all declined, with the exception of glove-making in Millau. Learned local authors undertook to call attention to the aesthetic value of the landscape, following the nineteenth-century writers Charles Nodier, Louis de Malafosse, and especially, a little later, Édouard-Alfred Martel; these authors achieved what Vincent Biot calls the “territorial construction” of this region. See Vincent Biot, “Valorisation patrimoniale et développement touristique des Grands Causses: l’empreinte d’Édouard-Alfred Martel (1859–1938),” in Jean-Yves Andrieux and Patrick Harismendy, eds, Initiateurs et entrepreneurs culturels du tourisme (1850–1950) (Rennes: Presses Universitaires de Rennes, 2011), pp. 35–46.

      49 49. See Jacqueline Candau and Ludovic Ginelli, “L’engagement des agriculteurs dans un service environnemental:

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