The Glass Constellation. Arthur Sze

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The Glass Constellation - Arthur Sze

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the fireplace on the bedroom floor.

      Is a solar flare a form of koan?

      Blue larkspur in a glass vase.

      A stalactite dripping into a pool of water.

      Hush: there is nothing in ten dimensions

      that is not dilating the pupils of our eyes.

      Six Persimmons

      1

      “Cabrón,” rings in his ears as he walks down

      the corridor to death row. Where is the epicenter

      of a Los Angeles earthquake? Hypocenter of Fat Man?

      He watches a woman pour honey into a jar crammed

      with psilocybin mushrooms. A few cells down,

      a priest intones and oozes black truffles in olive oil.

      He is about to look at the poems of a murderer,

      sees a sliced five-thousand-year-old silkworm cocoon.

      X: pinhole, eclipse; the, a; shadow of mosquito,

      fern frond uncoiling in mist. “Dot,” says a Japanese

      calligrapher who draws a dot beginning on the floor

      off the page. He looks at the page, shrugs,

      there is nothing there, and pictures budding chamisa

      in a courtyard, yellow yarrow hanging over a bed.

      In Waimea Canyon, ‘apapane, ‘i‘iwi. X: it’s

      the shapes of ice in an ice floe, a light-green

      glazed lotus-shaped hot-water bowl. He opens his eyes

      and recalls staring into her eyes as she comes.

      2

      A visual anthropologist dies in a head-on collision

      and leaves behind an Okinawan bow, arrows, whisk,

      Bizen bowl, hammock, New Guinea coffee beans,

      calligraphic scroll, “In motion there is stillness.”

      Walking along the shifting course of the Pojoaque River,

      I ponder the formation of sunspots, how they appear

      to be floating islands, gigantic magnetic storms

      on the surface of the sun, and, forming cooler regions,

      become darker to the human eye. I ponder how

      he slowed the very sharpening of a pencil

      but sped up La Bajada behind a semi in the dark,

      and, when the semi shifted into the right lane,

      was sandwiched and smashed into an out-of-state

      pickup driving down the wrong side of the highway.

      I hold the blued seconds when—Einstein Cross—

      he cursed, slammed on the brakes—the car crunched

      and flew apart in a noise he could not hear into

      a pungent white saguaro blossom opening for a single night.

      3

      Green dragonflies hover over water. In the mind,

      the axis of absence and presence resembles

      a lunar eclipse. Hiking a ridge trail in the Barrancas,

      we notice the translucent wing feathers of

      a red-tailed hawk circling overhead. Once,

      inadvertently, I glanced out the bathroom window

      and noticed yellow yarrow blooming in sunshine.

      A man does not have to gamble his car away

      and hitchhike out of Las Vegas for the mind to ripen.

      Bill Isaacs slices an agaricus lengthwise, points

      to the yellow base of stipe, says, “Xanthodermus.”

      Although he has walked up a trail into spruce

      and fir, mycelium in his hands has spread out.

      Although asthma may be passed from one to another,

      one mind may be a sieve, while the other may be

      crystals growing up a string. Is sun to earth to moon

      as mind to shiitake to knife? When one mind

      passes to another, green dragonflies hover over water.

      4

      Is the recollecting mind an aviary? Once he pushed

      through hermetically sealed revolving doors

      into a humid forest where he sighted a toucan,

      but where is the o‘o a‘a? A pin fits in a pocket,

      but how do you put a world inside a world?

      Two twins, ex-marines, stretch Okinawan bows

      and aim their hips and eyes at the target;

      the arrows are not yet not yet released.

      As death burns a hole into a piece of paper,

      a fern frond in the Alaka‘i Swamp uncoils in mist.

      He glows when she puts her hand on his chest;

      the sun spins faster at the equator than at the poles.

      He lays six blossoming orchid branches on the floor,

      stares at the shapes of flower vases on shelves

      in the storeroom. It is as if all the possible shapes

      of the world were waiting to come into being,

      as

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