Бум. Бешеные деньги, мегасделки и взлет современного искусства. Майкл Шнейерсон

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Бум. Бешеные деньги, мегасделки и взлет современного искусства - Майкл Шнейерсон

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      26

      См.: Robert Motherwell, “The School of New York,” manifesto, January 1, 1951, transcribed by Smithsonian Digital Volunteers, Archives of American Art, Smithsonian Institution.

      27

      Термин «живопись действия» первым ввел Гарольд Розенберг. См.: Harold Rosenberg, “The American Action Painters,” ARTnews, December 1952, 22.

      28

      “Colour Field Painting,” Tate, www.tate.org.uk/art/art-terms/c/colour-field-painting.

      29

      William Grimes, “Grace Hartigan, 86, Abstract Painter, Dies,” New York Times, November 18, 2008, www.nytimes.com/2008/11/18/arts/design/18hartigan.html.

      30

      Mark Stevens and Annalyn Swan, De Kooning: An American Master (New York: Knopf, 2004), 209.

      31

      Ibid., 251.

      32

      Ibid., 271.

      33

      Hall, Betty Parsons, 20.

      34

      Ibid., 178.

      35

      Ibid., 41.

      36

      Ibid., 54.

      37

      John Yau, “The Legendary Betty Parsons Meets the Not-So-Legendary Betty Parsons,” Hyperallergic, July 9, 2017, https://hyperallergic.com/389386/betty-parsons-invisible-presence-alexander-gray-associates-2017/.

      38

      Hall, Betty Parsons, 61.

      39

      Ibid., 72.

      40

      Ibid., 81.

      41

      “Jackson Pollock,” Collection Online, Guggenheim Museum, www.guggenheim.org/artwork/artist/jackson-pollock; “The Post-War Period, 1948–1973,” La Biennale di Venezia, www.labiennale.org/en/history/post-war-period-and-60s; “History, 1985–2018,” La Biennale di Venezia, www.labiennale.org/en/history.

      42

      Patricia Albers, Joan Mitchell: Lady Painter (New York: Knopf, 2011), 139.

      43

      Hall, Betty Parsons, 94–95.

      44

      Artspace Editors, “Dealer Betty Parsons Pioneered Male Abstract Expressionists – But Who Were the Unrecognized Women Artists She Exhibited?” Artspace, April 3, 2017, www.artspace.com/magazine/interviews_features/book_report/dealer-betty-parsons-pioneered-male-abstract-expressionistsbut-who-were-the-unrecognized-women-54682.

      45

      Hall, Betty Parsons, 102.

      46

      “Chronology,” Barnett Newman Foundation, www.barnettnewman.org/artist/chronology; Hilarie M. Sheets, “Clyfford Still, Unpacked,” Art in America, November 1, 2011, www.artinamericamagazine.com/news-features/magazine/clyfford-still-unpacked/.

      47

      Breslin, Mark Rothko, 335.

      48

      Interview with Sidney Janis, October 15–November 18, 1981, Archives of American Art, Smithsonian Institution.

      49

      Clayton Press, “Motherwell to Hofmann: The Samuel Kootz Gallery, 1945–1966 at Neuberger Museum of Art, Purchase, NY,” Forbes, February 18, 2018, www.forbes.com/sites/claytonpress/2018/02/18/motherwell-to-hofmann-the-samuel-kootz-gallery-1945-1966-at-neuberger-museum-of-art-purchase-ny/#30a553e443c0.

      50

      Hall, Betty Parsons, 102; Jennifer Farrell et al., The History and Legacy of Samuel M. Kootz and the Kootz Gallery (Charlottesville: Fralin Museum of Art at the University of Virginia, 2017), 78.

      51

      “Sidney Janis Gallery,” Archives Directory for the History of Collecting in America, Frick Collection, http://research.frick.org/directoryweb/browserecord.php? – action=browse&-recid=6222.

      52

      Interview with Sidney Janis, October 15 – November 18, 1981, Archives of American Art, Smithsonian Institution.

      53

      Laura De Coppet and Alan Jones, The Art Dealers (New York: Cooper Square Press, 2002), 37.

      54

      Willem de Kooning, Excavation, 1950, oil on canvas, 205.7 x 254.6 cm, Art Institute Chicago, www.artic.edu/aic/collections/artwork/76244.

      55

      Barbara Hess and Willem de Kooning, Willem de Kooning, 1904–1997: Content as a Glimpse (Cologne: Taschen, 2004), 42.

      56

      “Willem de Kooning,” Art Bios, March 8, 2011, https://artbios.net/3-en.html.

      57

      Ben Heller, interview by Avis Berman, Museum of Modern Art Oral History Program, April 18, 2001, 5.

      58

      Ibid., 26.

      59

      Ibid., 5; Jed Perl, “The Opportunist,”

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