Sandra Jeppesen, Guerrilla Texts and Textual Self-Production (Diss., York University, 2006), 135.
100 Anarchy: A Journal of Desire Armed 37 (Summer 1993); John D. H. Downing, ed., Encyclopedia of Social Movement Media (Los Angeles: Sage Publications, 2011), 38, 44.
101 Paul Goodman and Percival Goodman, Communitas: Means of Livelihood and Ways of Life (New York: Vintage Books, 1960), 153.
102 Lily Litvak, El cuento anarquista (1880–1911): Antología (Madrid: Taurus, 1982), 17.
103 chapeleiro anônimo, “Um sonho,” in Contos Anarquistas: Antologia da prosa libertária no Brasil (1901–1935), eds. Arnoni Prado, Antonio and Francisco Foot Hardman (São Paulo: Editorial Brasiliense, 1985), 107–110; Elsa Calzetta, “Juana Rouco Buela, una mujer anarquista,” in Nuestra Tribuna: Hojita del sentir anárquico femenino (1922–1925) (Bahia Blanca, Argentina: Editorial de la Universidad Nacional del Sur, 2005), 21, 25.
104 Salaün, “Introducción,” Romancero libertario, 23–25.
105 Mutsuko Motoyama, Shaw and Japanese Drama (Diss., University of Washington, 1975), 136, 181.
106 These included Moses Harman, “Love Dies—Why Should Love Die?” Lucifer 864 (May 11, 1901); Helen Webster, “Why Should Love Die?” Lucifer 867 (June 1, 1901); Mabel M’Coy Irwin, “Why Does Love Die?—A Suggestion,” Lucifer 873 (July 13, 1901); Elsie Cole Wilcox, “Some Reasons Why Love Should Die,” Lucifer 876 (Aug. 3, 1901); and Voltairine de Cleyre, “The Death of Love,” Lucifer 883 (Sept. 21, 1901). See Ernesto A. Longa, Anarchist Periodicals in English Published in the United States (1833–1995) (Lanham, MD: Scarecrow Press, 2010), 160.
107 For the Vargas Vila controversy, see Federica Montseny, “Comentando a un hombre,” La Revista Blanca 2.22 (Apr. 15, 1924); Montseny, “La Obra de los mediocres,” La Revista Blanca 2.30 (Aug. 15, 1924); Montseny, “Alrededor de Vargas Vila,” La Revista Blanca 2.35 (Nov. 1, 1924); J. Serret, “Vargas Vila (I),” La Revista Blanca 2.40 (Jan. 15, 1925); Serret, “Vargas Vila (II),” La Revista Blanca 2.41 (Feb. 1, 1925); Montseny, “Sobre Vargas Vila,” La Revista Blanca 2.42 (Feb. 15, 1925); Ignacio Cornejo, “Sobre Vargas Vila y sus obras,” La Revista Blanca 2.43 (Mar. 1, 1925); Montseny, “Las mujeres y Vargas Vila,” La Revista Blanca 57 (Sept. 1, 1925); Julia Acosta and Matilde Mota, “Las Mujeres y Vargas Vila,” La Revista Blanca 2.56 (Sept. 15, 1925). For the “Clara” controversy, see Montseny, “En defensa de Clara (I),” La Revista Blanca 2.46 (Apr. 15, 1925); Montseny, “En defensa de Clara (II),” La Revista Blanca 2.47 (May 1, 1925); Montseny, “En defensa de Clara (III),” La Revista Blanca 2.48 (May 15, 1925); Isabel Hortensia Pereyra, “En Defensa de Clara: Mi Humilde Opinion,” La Revista Blanca 3.51 (Jul. 1, 1925); and Antonia Maymón, “En Defensa de Clara,” La Revista Blanca 3.53 (Aug. 1, 1925).
108 Mujeres Libres qtd. in Laura Ruiz Eugenio and Gregori Siles Molina “Aportaciones de Mujeres Libres (1936–1939) desde la educación para la inclusión de las mujeres obreras y campesinas,” in El largo camino hacia una educación inclusiva, Vol. 2, eds. María Reyes Berruezo Albéniz and Susana Conejero López (Pamplona, Spain: Universidad Pública de Navarra, 2009): 343; Cimine, Lee libros anarquistas y serás un hombre (1936–1938).
109 Domingos Ribeiro Filho, “O veneno literário,” Renascença: arte e pensamento 1.3 (Apr. 1923): 8. Interestingly, Ribeiro Filho’s anxiety is focused on female readers—he is writing in the pages of Maria Lacerda de Moura’s journal—who are especially imperiled by reading novels that “extol the beauties of the shop window and the sentiments of the seraglio.” The identification of consumerism at once with lasciviousness and femininity is not alien to this line of anarchist argument.
110 Georges Duveau, La vie ouvrière en France, sous le second empire (Paris: Gallimard, 1946), 471. It must be said that Tolain also fulminates a good deal against the moral “depravity” supposedly taught by these novels.
111 Jules Vallès, “Les Victimes du Livre,” Les Réfractaires (Paris: G. Charpentier, 1881), 160, 162–163, 171–172.
112 Liu Shifu qtd. in P. Chan, Liu Shifu, 64, trans. Chan’s; Statio qtd. in Vittorio Frigerio, “La Vérité par la fiction,” Belphégor 9.1 (February 2010).
113 Charles Hotz, L’Art et le Peuple (Paris: Groupe de propagande par la brochure, 1924), 22; Shin Chae-ho qtd. in Song Chae-So, “The Changes of Tanjae’s Thought Seen in ‘The Dream Sky’ and ‘The War of the Dragons,’” Korea Journal 20.12 (December 1980): 20; Camillo Berneri, “La novela de folletón,” Almanaque de la Novela Ideal (Barcelona: Publicaciones de “La Revista Blanca,” 1928), 83–84.
114 See, for instance, Paul Goodman’s 1963 essay “Television: The Continuing Disaster,” in Drawing the Line: The Political Essays of Paul Goodman (New York: Free Life Editions, 1977), 99–103; or George Bradford’s (a.k.a. David Watson’s) 1984 piece, “Media: Capital’s Global Village,” in Reinventing Anarchy, Again, 258–271.
115 Peter Lamborn Wilson, “Amoral Responsibility,” Science Fiction EYE 8 (Winter 1991): 55.
116 Stuart Christie, My Granny Made Me an Anarchist: The Cultural and Political Formation of a West Scotland “Baby Boomer” (Hastings, UK: Christie Books, 2002), 85.
117 Shin Chae-ho, “Declaration of the Korean Revolution,” trans. Dongyoun Hwang, in Anarchism: A Documentary History of Libertarian Ideas, Vol. 1, 375.
118 Ali Nematollahy, “Jules Vallès and the Anarchist Novel,” Nineteenth-Century French Studies 35.3–4 (Spring–Summer 2007): 575.
119 Edouard Rothen, “Littérature,” in L’Encyclopédie anarchiste, 1295.
120 Peter Kropotkin, Ideals and Realities in Russian Literature (New York: A.A. Knopf, 1915), 298–299.
121 Gustav Landauer, Shakespeare: Dargestellt in Vorträgen (Frankfurt am Main: Rütten & Loening, 1920); Bernard Lazare, L’Écrivain et l’Art Social (Béarn: Bibliothèque de l’Art Social, 1896), 13–14.
