The Complete Guide to Japanese Kanji. Kenneth G. Henshall

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      L4

      兄

      KEI, KYŌ, ani

      elder brother

      5 strokes

      父兄 FUKEI guardians

      兄弟 KYŌDAI brothers

      兄さん niisan* elder brother

      OBI forms Image, Image; seal Image. Lower element, which in OBI has 人 ‘person’ or 卩 ‘kneeling person’ (see 41), changes to another determinative (no.10) for ‘person’, viz. 儿 (see also 41) in seal form. Analyses vary. In one view, shows child with big head (taking 口 as standing for ‘head’). In another view, 口 22 ‘mouth; speak’, and 儿 as phonetic with associated sense ‘big’, giving ‘loud/big voice’, and by extension ‘big’ > ‘big/elder brother’ (both views noted in Mizukami). Alternatively some scholars take as ‘person who utters incantations/prayers’ (Ma, Shirakawa). KJ1970:348-9; MR2007:397; SS1984:226; MS1995:v1:90-91.

      Mnemonic: ELDER BROTHER IS JUST MOUTH AND LEGS

      115

      L3

      形

      KEI, GYŌ, kata(chi)

      shape, form

      7 strokes

      形式的 KEISHIKITEKI formal

      人形 NINGYŌ doll

      形見 katami keepsake

      Seal forms Image, Image. Relatively late origin (Shuowen). Interpretations vary. Has 彡 ‘color, brush pattern’ (etc.) (determinative no. 59), and left-hand element identical with or close in shape to 井 1575 ‘well’. In one view, taken as consisting of 彡 meaning ‘writing brush hairs’, and 开 as phonetic with associated sense ‘imitate, model after’, giving ‘model, copy’ (Katō). Another analysis treats as 彡 ‘pattern’, and 开/井 as semantic and phonetic meaning ‘square frame’, giving ‘mold (to make copies)’ (Tōdō). Shirakawa also sees 开/井 as representing a frame or mold. TA1965:501-3; SS1984:227; KJ1970:359; KJ1985:214.

      Mnemonic: THREE STROKES NEXT TO A GRID FORM IS A DISTINCTIVE SHAPE

      116

      L4

      計

      KEI, hakaru

      measure

      9 strokes

      合計 GŌKEI sum total

      計算 KEISAN calculation

      速度計 SOKUDOKEI speedometer

      Of quite late origin (Shuowen) Image. Varied interpretations. The modern form comprises the determinative 言 118 ‘words/say’ and 十 35 ‘ten’. In OBI and bronze texts, a symbol close in shape to 十 represented the word for ‘seven’, not ‘ten’, but by the time of the Shuowen dictionary of around 100AD we find 十 being used for ‘ten’. Ogawa takes ‘words’ together with the number ‘ten’ as combining to give meanings such as ‘count, calculate, plan’. Qiu prefers to regard it simply as an abstract geometric symbol. Shirakawa is alone in looking to interpret the right-hand element of this graph as originally having links to the ancient Chinese practice of divination (卜, see 96), speculating it was misinterpreted as 十. OT1968:920; QX2000:18, 31, 32; SS1984:230.

      Mnemonic: COUNTING IN TENS MAKES IT EASY TO MEASURE

      117

      L4

      元

      GEN, GAN, moto

      origin, source

      4 strokes

      元気 GENKI health, vigor

      元来 GANRAI originally

      元通り motodōri as before

      OBI and bronze forms depict side view of a person with exaggeratedly large head Image, to convey meanings such as ‘head’ and ‘beginning’. The modern form uses 儿 for ‘person’ (see 41). MR2007:209; SS1984:267-8; QX2000:182; YK1976:146. Use 二 65 ‘two’.

      Mnemonic: TWO BENT PERSONS OF SAME ORIGIN

      118

      L5

      言

      GEN, GON, koto, iu

      word, say, speak

      7 strokes

      発言 HATSUGEN statement

      無言 MUGON silence

      言葉 kotoba word

      Typical OBI form Image. Interpretations vary. Some commentators (Karlgren, Ma) take this to be based on a pictograph of a flute, and treat ‘words, speak’ as a loan usage. Others differ, typically taking it as 口 22 ‘mouth’ with a phonetic element (interpretations of which vary), but Shirakawa takes it as a tattooing needle for oath-taking with receptacle for the written oath. BK1957:80; MR2007:256; KJ1970:386-7; YK1976:162; SS1984:268-9.

      Mnemonic: MOUTH SPEAKS THREE AND A BIT WORDS

      119

      L3

      原

      GEN, hara

      plain, origin

      10 strokes

      原子 GENSHI atom

      原文 GENBUN original text

      草原 kusahara grassy plain

      There is agreement that the bronze forms Image depict a spring gushing out from the foot of a cliff, and is thus the early version for the word later represented by 源 864. This led to an extended meaning of ‘source/origin’. The graph acquired the meaning

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