The Complete Guide to Japanese Kanji. Kenneth G. Henshall

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The Complete Guide to Japanese Kanji - Kenneth G. Henshall

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alt="Image"/> as phonetic; generally, taken as associated sense unclear and the whole graph originally representing a specific river name, then loaned for ‘warm’. Mizukami, however, lists the above OBI forms as showing someone with water in a bath-like container, regards associated sense of the phonetic as ‘warm’, and takes the meaning as ‘river with warm current’ or ‘steamy warm water’. He also treats the same OBI form as the earliest form of 浴 625 ‘bathe’, listing different shapes for 温 and 浴 only at the seal stage. MS1995:V2,772-3; KJ1970:114; YK1976:76. We suggest taking the modern graph as 氵 42 ‘water’, 日 66 ‘sun’, and 皿 300 ‘bowl’.

      Mnemonic: SUN WARMS WATER IN A BOWL

      258

      L3

      化

      KA, KE, bakeru/kasu

      change, bewitch

      4 strokes

      変化 HENKA change

      化粧 KESHŌ make-up

      化け物 bakemono ‘spook’

      Traditional 化. OBI form Image depicts ‘person’ 亻 41 (‘standing’), with element Image (Image in Japanese) for person fallen down – indicating change of state – acting as phonetic with associated sense range ‘become different, imitate, false’. The graph is in Tōdō’s word-family meaning ‘change shape’. MS1995:v1:54-5; KJ1970:305-06; YK1976:77; TA1965:607-09.

      Mnemonic: STANDING MAN IS BEWITCHED AND FALLS DOWN CHANGED

      259

      L4

      荷

      KA, ni

      load, burden

      10 strokes

      出荷 SHUKKA consignment

      船荷 funani ship’s cargo

      荷物 niMOTSU luggage

      A late graph (Shuowen) Image. Has 艹 53 ‘plant, vegetation’, and 何 86 (‘what?’) as phonetic, original meaning ‘lotus plant’. Early Chinese word for ‘carry on shoulder/back’ was originally written 何, but when 何 came to be used for a near-homophone meaning ‘who?’, ‘what?’, 荷 was borrowed for ‘carry’. AS2007:273,275; YK1976:83; TA1965:583-6.

      Mnemonic: WHAT PLANTS ARE IN THAT LOAD?

      260

      L4

      界

      KAI

      area, boundary

      9 strokes

      世界 SEKAI world

      境界 KYŌKAI boundary

      政界 SEIKAI world of politics

      A late graph (Shuowen) Image. Has 田 63 ‘field’, and 1094 介 (modern meaning ‘come between’) here as phonetic with associated sense ‘divide’, giving original meaning ‘divide up fields’. In Tōdō’s word-family meaning ‘divide in two; interval, gap’. KJ1970:143; YK1976:90; TA1965:601-05.

      Mnemonic: DIVIDE FIELDS INTO AREAS WITH BOUNDARIES

      261

      L4

      開

      KAI, hiraku, akeru

      open

      12 strokes

      開発 KAIHATSU development

      開始 KAISHI inception

      開き綱 hirakizuna rip-cord

      A relatively late graph (Shuowen) Image. Has 門 231 ‘gate’, and an inner element taken i] as 幵 ‘face, oppose’ (the two leaves of opened gate facing each other) (Yamada, Katō), or ii] two hands reaching out to remove the crossbar (Shirakawa, Ogawa). YK1976:91; KJ1970:143; SS1984:92-3; OT1968:1057.

      Mnemonic: HANDS REMOVE BAR AND OPEN GATE

      262

      L3

      階

      KAI

      storey, grade, step

      12 strokes

      階段 KAIDAN stairs

      二階 NIKAI upstairs

      階級 KAIKYŪ class, grade

      Late graph (Shuowen) Image. Has determinative 阝 ‘piled-up earth, mound’ (short form of 阜 1907), and 皆 1099 (modern meaning ‘all, everyone’) as phonetic with associated sense ‘be lined up’, or ‘be in unison’. KJ1970:152; YK1976:91; OT1968:1072. Note that the determinative 阝 can also occur as a right-hand element, with different etymology and meaning; see 都 376 and 阜 1907 for further discussion.

      Mnemonic: ALL THE MOUNDS SHOULD HAVE STEPS LINED UP

      263

      L4

      寒

      KAN, samui

      cold

      12 strokes

      寒波 KANPA cold spell/wave

      寒気 samuKE a chill

      寒暖計 KANDANKEI thermometer

      Bronze form A Image; bronze form B Image; seal form Image. Form A shows a roof/dwelling, with gathered vegetation inside to keep occupant warm from the cold (Shirakawa). Form B additionally has two horizontal lines sometimes taken to represent ice (Yamada), but ice was not normally represented in this way; instead, the lines might indicate mats to lie on (Shirakawa, Karlgren also

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