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Emden/David Midgley (Hg.), Science, Technology and the German Cultural Imagination, Oxford: Lang 2005, S. 231–55.

      Ebert, Roger: »Why I Hate 3-D (And You Should Too)« in Newsweek vom 10. Mai 2010, http://www.thedailybeast.com/newsweek/2010/04/30/why-i-hate-3-d-and-you-should-too.html

      Ders.: »Why 3D doesn't work and never will. Case closed.« in Chicago Sun-Times vom 23. Januar 2011, http://blogs.suntimes.com/ebert/2011/01/post_4.html

      Ehmann, Antje/Eshun, Kodwo (Hg.): Harun Farocki: Against What Against Whom, Köln: Walther König 2010.

      Elkins, James: The Object Stares Back: On the Nature of Seeing, New York: Simon & Schuster 1996.

      Elsaesser, Thomas: »World Cinema: Realism, Evidence, Presence«, in: Lucía Nagib/Cecília Mello (Hg.), Realism and the Audiovisual Media, Basingstoke: Palgrave 2009, S. 3-19.

      Ders.: »Access for All: Avatar« in: New Review of Film and Television Studies, 9:3 (2011), S. 247-264.

      Engber, Daniel: »Is 3-D dead in the water? A box office analysis.«, http://www.slate.com/id/2264927/pagenum/all/.

      Finley, Gerald: Angel in the Sun, Turner's Vision of History, Montreal: McGill-Queen's University Press 1999.

      Fritz, Ben: »Company defends itself to Hollywood« in: Los Angeles Times vom 5. April 2011, http://latimesblogs.latimes.com/entertainmentnewsbuzz/2011/04/netflix-fast-growth-contines-in-first-quarter-as-company-defends-itself-to-hollywood.html

      Gage, John: Turner: Rain, Steam and Speed, London: Viking Press 1972.

      Goodale, Gloria: »Hollywood's foreign booty: New ›Pirates‹ film earned over $250 million abroad« in: Christian Science Monitor vom 23. Mai 2011. http://www.csmonitor.com/USA/Society/2011/0523/Hollywood-s-foreign-booty-New-Pirates-film-earned-over-250-million-abroad.

      Gunning, Tom: »Phantasmagoria and the Manufacturing of Illusions and Wonder: Towards a Cultural Optics of the Cinematic Apparatus«, in: Andre Gaudreault/Catherine Russell/Pierre Veronneau (Hg.), The Cinema, A New Technology for the 20th Century, Lausanne: Editions Payot 2004, S. 31-44.

      Ders.: »The Long and the Short of it: Centuries of Projecting Shadows from Natural Magic to the Avant-Garde«, in: Stan Douglas/Christopher Eamon (Hg.), The Art of Projection, Ostfildern: Hatje Canz 2009, S. 23-35.

      Haines, Richard W.: The Moviegoing Experience, 1968-2001, Jefferson, NC: McFarland 2003.

      Hediger, Vinzenz/Vonderau, Patrick (Hg.): Films that Work, Amsterdam: Amsterdam University Press 2011.

      James, Nick: »Berlin Film Festival – Review« in: The Observer vom 19. Februar 2011, http://www.guardian.co.uk/film/2011/feb/20/berlin-film-festival-review

      Joseph, Branden Wayne/Walley, Jonathan/Eamon, Christopher (Hg.): Anthony McCall: The Solid Light Films and Related Works, Evanston, Illinois: Northwestern University Press 2005.

      Kermode, Mark: »Come in Number 3D, your time is up« BBC Beitrag vom 23. Dezember 2009. http://www.bbc.co.uk/blogs/markkermode/2009/12/come_in_number_3d_your_time_is.html

      Lenoir, Tim: »All but war is simulation: The military–entertainment complex«, Configurations 8:3 (2000), S. 289–335.

      Lippit, Akira Mizuta: »Three Phantasies of Cinema – Reproduction Mimesis Annihilation«, Paragraph, 22:3 (1999), S. 213-227.

      Lorenz, Dieter: Das Kaiserpanorama. Ein Unternehmen des August Fuhrmann, München: Münchner Stadtmuseum 2010.

      Manovich, Lev: »To Lie and to Act: Cinema and Telepresence«, in: Thomas Elsaesser/Kay Hoffmann (Hg.), Cinema Futures: Cain, Abel or Cable? The Screen Arts in the Digital Age, Amsterdam, Amsterdam University Press 1998, S. 189-99.

      McHugh, Molly: »The 2012 London Olympics is 3D TVs' big opportunity«, in: Yahoo News vom 15. Februar 2012, http://news.yahoo.com/2012-london-olympics-3d-tvs-big-opportunity-011206230.html

      Melvin, Don: »Activists Present Anti-ACTA petition to EU«, in: Associated Press vom 28. Februar 2011, http://www.google.com/hostednews/ap/article/ALeqM5goN98YMyvwPqQiW31gBs8U-xnvIg?docId=7afd9eef4f6b44acbb43b1029820bc87

      Metz, Christian: »Aural Objects«, Yale French Studies No. 60, Cinema/Sound (1980), S. 24-32.

      Michaelis, Anthony: Research Films in Biology, Anthropology, Psychology and Medicine, New York: Academic Press 1955.

      Mitchell, W. J. T.: Picture Theory, Chicago und London: University of Chicago Press 1994.

      Mitchell, W.J.T.: What do Pictures Want, Chicago: University of Chicago Press 2006.

      Musser, Charles: The Emergence of Cinema, New York: Scribner 1990.

      N.N.: http://aamgroup.com/products/k2vi.cfm

      N.N.: http://www.artcyclopedia.com/hot/tilt-shift-van-gogh-1.htm

      N.N.: http://www.consumerreports.org/cro/electronics-computers/tvs-services/hdtv/3d-tvs/overview/index.htm

      N.N.: http://www.dailymail.co.uk/sciencetech/article-1258336/Titanic-3D-James-Camerons-Avatar-followup-2012.html

      N.N.: http://content.usatoday.com/communities/technologylive/post/2010/03/james-cameron/1 - .T1fGVsyzWUc

      N.N.: http://digitalcinemablog.blogspot.com/2009/04/jeffrey-katzenberg-jerry-falwell-of-3-d.html

      N.N.: http://www.expcinema.com/site/index.php?option=com_virtuemart&page=shop.product_details&flypage=shop.flypage&product_id=363

      N.N.: http://www.fastcompany.com/1731055/oscars-avatar-neurocinema-neuromarketing

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