Bildwerte. Группа авторов

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Bildwerte - Группа авторов Bild und Bit. Studien zur digitalen Medienkultur

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      N.N.: http://www.gizmag.com/boeing-3d-imaging-camera/14489

      N.N.: http://www.hamburgerbahnhof.de/exhibition.php?id=32936&lang=de

      N.N.: http://hollywoodinhidef.com/2011/09/cameron-tv-will-drive-3d-success/

      N.N.: http://hydrochart.dk/ivs_3d.html

      N.N.: http://www.pcmag.com/article2/0,2817,2365010,00.asp

      N.N.: http://pulfrich.siuc.edu/

      N.N.: http://www.qps.nl/display/fledermaus/main

      N.N.: http://www.qps.nl/display/fledermaus/main;jsessionid=670E5EE11BF1B538EF55267912FF8B11

      N.N.: http://www.seeingwithsound.com/

      N.N.: http://vangoghimaging.com/

      N.N.: http://www.vanityfair.com/online/oscars/2009/03/jeffrey-katzenberg-on-3d-depth-becomes-him

      N.N.: http://www.virtualpeace.org

      Noë, Alva: Action in Perception, Cambridge, MA: The MIT Press 2004.

      Oettermann, Stephan: Das Panorama, Die Geschichte eines Massenmediums, Frankfurt: Syndikat 1980.

      Panofsky, Erwin: »Die Perspektive als symbolische Form«, in: Vorträge der Bibliothek Warburg, 1924-25, Leipzig, Berlin 1927, S. 258-330. Reprint in: Ders.: Aufsätze zu Grundfragen der Kunstwissenschaft, Berlin: Volker Spieß 1985, S. 99167.

      Parkes, Christopher: »Science fiction the old-fashioned way«, in: Financial Times vom 18./19. Mai 2002.

      Pierson, Michele/ James, David E./Arthur, Paul (Hg.), Optic Antics: The Cinema Of Ken Jacobs, New York: Oxford University Press 2011.

      Randall, Kevin: »Rise of Neurocinema: How Hollywood Studios Harness Your Brainwaves to Win Oscars«, http://www.fastcompany.com/1731055/oscars-avatar-neurocinema-neuromarketing

      Rodek, Hans-Georg: »›Oben‹ beweist – 3D ist keine Kino-Sensation«, in: Die Welt vom 13. Mai 2009, http://www.welt.de/kultur/article3732236/Oben-beweist-3D-ist-keine-Kino-Sensation.html

      Roland Shearer, Rhonda et al., »Duchamp's Revolutionary Alternative in the context of competing optical experiments«, in: Tout-fait 1:3 (2000). Online: http://www.toutfait.com/issues/issue_3/Multimedia/Shearer/

      Salazard, Bruno et al.: »Auguste and Louis Lumière, inventors at the service of the suffering«, in: European Journal of Plastic Surgery, 28 (2006), S. 441447.

      Seel, Martin: Ästhetik des Erscheinens, Frankfurt am Main: Suhrkamp 2003.

      Selick, Henry: Audiokommentar, Coraline, 2-disk DVD Collector's Edition, Universal Studios 2009.

      Sergi, Gianluca: The Dolby Era: Film Sound in Contemporary Hollywood, Manchester: Manchester University Press 2004.

      Thompson, Kristin: »Has 3D Already Failed?«, http://www.davidbordwell.net/blog/2011/01/20/has-3d-already-failed-the-sequel-part-one-realdlighted/

      Dies.: »HUGO: Scorsese's birthday present to Georges Méliès«, http://www.davidbordwell.net/blog/2011/12/07/hugo-scorseses-birthday-present-to-georges-melies/

      Turvey, Malcolm: »Dada between Heaven and Hell: Abstraction and Universal Language in the Rhythm Films of Hans Richter«, October 105 (2003), S. 13-36.

      Virilio, Paul: War and Cinema: The Logistics of Perception, London: Verso 1997.

      Walton, Kendall: Mimesis as Make-believe, Cambridge, Mass.: Harvard University Press 1990.

      Wedel, Michael: »Melodrama and Narrative Space: Franz Hofer«, in: Thomas Elsaesser (Hg.), A Second Life: German Cinema's First Decades, Amsterdam: Amsterdam University Press 1996, S. 123-131.

      Zone, Ray: Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952, Lexington: University Press of Kentucky 2007.

      Filme

      Alice in Wonderland (USA 2009, R: Tim Burton)

      Anaglyph Tom (USA 2008, R: Ken Jacobs)

      Anémic Cinéma (F 1926, R: Marcel Duchamp)

      Apocalypse Now (USA 1979, R: Francis Ford Coppola)

      Avatar (USA 2009, R: James Cameron)

      Beowulf (USA 2009, R: Robert Zemeckis)

      Berth Marks (USA 1929, R: Lewis R. Foster)

      Bin Jip (KOR 2004, R: Kim ki-Duk)

      Bwana Devil (USA 1952, R: Arch Oboler)

      Cave of Forgotten Dreams (F et al. 2011, R: Werner Herzog)

      Coraline (USA 2009, R: Henry Selick)

      Deep Play (D 2008, R: Harun Farocki)

      Dial M for Murder (USA 1954, R: Alfred Hitchcock)

      Disorient Express (USA 1996, R: Ken Jacobs)

      Easy Rider (USA 1969, R: Dennis Hopper)

      Eye/Machine (D 2001-2003, R: Harun Farocki)

      Grandma's Reading Glasses (GB 1900, R: G.A. Smith)

      House of Wax (USA 1953, R: André de Toth)

      Hugo (USA 2011, R: Martin Scorsese)

      I Thought I was seeing Convicts (D 2000, R: Harun Farocki)

      Ice Age: Dawn of the Dinosaurs (USA 2009, R: Carlos Saldanha)

      Images

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